Friday 11 October 2024

Are the Crooks Lording It Over in Our Community?

Volume 6, Issue No. 14

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Friday, October 11, 2024 

Our mooring as honest, respectful, and hard-working people is apparently letting loose by inordinate ambition, greed, and lust for power. Craven yes-people we are not despite acts of a few to lure us to believe in what they're doing. Our community is littered with leaders so-called, but none apparently believes in servant leadership where service to the community is paramount than service to self. 

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TORONTO'S FILIPINO COMMUNITY

Are We Wanting in Servant Leaders?

So Many Captains But Very Few Work for Us



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel




“That service is the noblest which is rendered for its own sake.” – Mahatma Gandhi 


TORONTO - What's happening in our Filipino community here in the Greater Toronto Area? Have we lost our moral compass?

Are we lacking in quality, honest, and principled people in our organizations, in media, in celebrations, in fiestas, and even in the manner we interact with each other?

Perplexing questions they are, sure, but not without answers. Notable in those questions are the seeming decline in our values manifested in ways unseen before.

We have individuals fronting as leaders, to what extent we don't know, but some are outright scammers, con artists, and impersonators.

They're there shamelessly for everyone to see, doing selfies with powerful people, squeezing themselves within kissing distance like they're flouting their newfound importance.

A smorgasboard of self-indulgent photos could be found on Facebook and other social media, and the thrill of being spotted with such and such people is amplified many times by "likes" and "share" by friends.

Examples abound of festivals in Brampton, Markham, Vaughan, Little Manila, Earl Bales Park, Albert Campbell Square, David Pecaut Square, Nathan Phillips Square, Mel Lastman Square, and other parks frequented by Filipinos.

I've taken notice since I started a decade and a half ago covering events in the community and beyond that's accessible and affordable to me personally.

The first few years were educational; they're learning experiences that opened doors to who's who and what's what, and got me acquainted with real and purported role players in the Filipino community.

Fourteen years later, the people I met and knew from the beginning are the same people occupying the top echelons of non-profit orgs, charitable foundations, social clubs, mutual-benefit associations, etcetera.

Such proliferation inevitably leads to overlapping functions, duplication, and a waste of time and resources. 

But Filipinos are good organizers, or they seem to be. Many of the existing associations are by-products of resentment, jealousy, envy, and hunger for recognition of people behind them.

So it's not surprising that, for example, an individual officer who aspires for a leadership role would form his own organization and make himself president or chair.

And to make his move gratifying to himself and followers, he would initiate a festival that's exactly the same as the festival from where he came from. And the cycle goes on and on.

In my nearly 15 years in Toronto, I'm still looking for servant leaders, and I mean those who put real service to others above service to himself. It's not self-service as in some restaurants.

And that brings me to my point. Have we lost our mooring?

We're a proud people shaped by our heritage, and proud of our upbringing that encompasses character building based on honor, respect, and trust inculcated from birth.

However, notwithstanding appearances to the contrary, everything is not fine and dandy in the community.

It's disconcerting, revolting even, to see some covetous publishers and editors victimizing their own writers of their hard-earned money.

Worst of all, they covered up their deception with lies so big and so extensive they reached high government officials.

It's so demeaning to know festival organizers extorting money from humble vendors trying to make a living. No one in any organization has come forward to condemn them. The silence is demoralizing.

A crook being honoured by a dubious foundation is as disgusting as the people who organized it, even topping it with an award that practically makes lawbreakers epitome of virtue. 

Why? For a couple of dollars? Had they fact-checked, they would have learned that a barking dog in the neighbourhood would have qualified too. That's because fact-checking is non-existent; organizers rely on social media posts by known rumor-mongers.

Then there's the pesky little guy who makes a living projecting himself as someone big on everything, particularly his traveling extravaganza that puts the spectacular Cirque de Soleil or the Ringling Bros. and Barnum & Bailey Circus ill at ease.

Name the cities, big and small, across Canada and he would claim success in staging each show with close-up photos to boot, ostensibly to hide the negligible crowd. It's frustrating.

For as long as I can remember, one umbrella organization excels in promoting a designer year in and year out to the extent its pageantry, which is quite unrelated to Philippine independence, becomes a bore. Is there a dearth of talent in Toronto?

Now, the inevitable question comes up. Why do organizations import entertainers from Manila, and perpetuate the notion we're so shallow and dumb and too obsessed with movie stars? (Copyright 2024. All Rights Reserved).

Tuesday 8 October 2024

Fiesta Extravaganza in Brampton Faces Probe

Volume 6, Issue No. 13
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Tuesday, October 8, 2024 

~ The Alcohol and Gaming Commission of Ontario (AGCO) has stepped into the dispute between a Filipino seniors group and a podcaster's much-vaunted Fiesta Extravaganza in Brampton where the latter had conducted a raffle city authorities consider "illegal gaming." The fiasco has been simmering since after the two-day festival ended in July.
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FIESTA EXTRAVAGANZA IN BRAMPTON 

Ontario to Investigate 'Unlicensed' Raffle

A Festival of Snarls It May Turn Out To Be 



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“What is true never fears investigation; what is false . . . fears everything.” – Guy Finley 


TORONTO - Podcaster Von Canton's so-called "festival of smiles" in Brampton may turn out to be a "festival of snarls".

That is, once the Alcohol and Gaming Commission of Ontario (AGCO) acts on the formal complaint filed last week by the 143-member Filipino Seniors of Mississauga (FSM) against Fiesta Extravaganza (FE) for what the group had alleged - and authorities had confirmed - was an "illegal" lottery. 

FE, also referred to as Canada Fiesta Extravaganza, had sold raffle tickets to raise funds and to attract crowds to its festival in Brampton (held July 13-14, 2024), one of nine, purportedly, cities included in what appears to be its amazing expansion outside of Toronto.

The tickets were priced at $2 apiece and winners could potentially take home the grand prize of $1,500; second prize of $750 and third prize of $250. Since it happened in July, we could assume the prizes had been awarded.

A Brampton city official clarified in early August that "Unlicensed raffles are contrary to the Criminal Code of Canada and, as such, constitute illegal gaming."

That was what FSM president Rene Sevilla had complained about, describing FE's raffle as "a raffle that should not have been started at all in the first place without first obtaining a permit and license to do so."

While characterizing unlicensed raffles like what FE had conducted in July, the official said the city had no jurisdiction over such activity, and told FSM to lodge its complaint with AGCO or the police.

Last week, Sevilla did exactly as he was advised and filed a detailed complaint with AGCO. In response, AGCO said: "Your complaint has been submitted and will be reviewed."

On its Facebook account, Von Canton, FE founder, had posted: "On behalf of the entire Canada Fiesta Extravaganza team, I invite you all again to join us in making history once again."

Indeed, FE is "making history." No other festival in the Greater Toronto Area is being held legally accountable for its conduct in raising money from the public through the sale of raffle tickets.

FSM is, in fact, the very first social group of elderly Filipinos to try to put a stop to unscrupulous practices by some organizations to victimize them.

Another festival, the Taste of Manila (ToM), appears headed to infamy after it has been denounced for its practice of fencing off uncooperative vendors who refused to "donate" or shell out money during its two-day run in August.

Besides, ToM officials are big on self-promotion but short on delivering what they promised to do once the money started to come in. Its top officials also engaged in stealing copyrighted photos and videos of previous ToM events.

Von Canton did not deny lacking a license for his raffle, calling it an "oversight". (Related story: Brampton: Unlicensed Raffles Constitute Illegal Gaming).

In response to questions posed earlier, he said: "We acknowledge there was some oversight in obtaining a raffle permit. Our intent was not to launch a large fundraising effort, as the raffle was only promoted internally within our organization." 

Canton is given to loud boasts about FE in social media, particularly on Facebook. There, he said FE will visit nine cities in 2024, adding "more vibrant spots to our Fiesta map".

For a six-year-old organization, it's stunning . . . if true. Just to think of the logistics in bringing one event alone would cause a lot of preparations and headache, particularly in securing funding. 

But Von Canton is Von Canton, a braggart, in my opinion. He has counterparts in ToM who are just as braggadocios. (Copyright 2024. All Rights Reserved).

Saturday 28 September 2024

Fly in the Ointment at The Maestro's Art Show

Volume 6, Issue No. 12

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Saturday, September 28, 2024 

~ Something that happens once in more than sixty years is quite a rarity. And that "something" was the one-man art show by esteemed artist Romi C. MananQuil. For it to come about deserves to be celebrated, as what family, colleagues and friends did exactly three weeks ago at Neilson Park Creative Centre. Then a spectacle of a sideshow materialized to diminish what the artist himself referred to as "the most significant art show in my life." 

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ROMI C. MANANQUIL, THE MAESTRO

Side Spectacle at One-Man Art Show

Fly in the Ointment: A "Queen" and Her Handler 



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“It is a great thing to know the season for speech and the season for silence.” – Seneca, The Elder 


TORONTO - The passage from Psalm 95 "a time to be silent and a time to speak" finds relevance in the unfolding Promethean odyssey of artist Romi C. MananQuil, The Maestro of Canada's Filipino community.

His shining moment exhibiting his best paintings in over six decades was, in my mind, being eclipsed by a sideshow that's totally irrelevant in this rare one-man art show at Neilson Park Creative Centre three weeks ago.

"This event is sort of very historic in terms of my artistic journey. For me, it's the most significant art show in my life," MananQuil says just before the official program began on Saturday, Sept. 7.


The emcee, Livvy Camacho, gave a brief but deep background while Michelle Chermaine Ramos, vice president of Philippine Artists Group, humanized him in ways only another artist would know. And then a guest spoke, and another, and finally, Consul Katrina Isabelle Borja-Martin.

The speakers in-between Ms. Ramos and Consul Martin were out of place, in my opinion. Quite notable was their brazenness. I ask myself repeatedly: why can't they just stay in the sidelines and let The Maestro enjoy his day without being obliged to talk about a past circumstance?

I know, I know, somebody long dead had awarded The Maestro a medal from his allotment as a federal official and because of that, the next of kin seemed, or felt, entitled to speak and remind everyone of the gesture?

I had no knowledge of which came first - The Maestro's portrait painting of the official while he was in office, or the conferring of the medal after which he rendered him on canvas?

And then the spectacle followed of a girl on stiletto heels wearing a sash and a crown as tall as the Eiffel tower on her head. Well, what earned her a moment to talk at an art show far removed from a beauty contest?

That scene, a distraction, continues to bother me. Something needs to be said out of respect for The Maestro. And that's where the passage "a time to be silent and a time to speak" fits.

If there's a sequence to be followed, and this is mine alone, the two other speakers - the "queen" and her handler - should have been kept out of it. An art show is an art show, not a fiesta of wannabe queens.

Consul Martin, who was appropriate for the occasion, was instead placed last, practically diminishing her stature as an official representing the Philippine government. (I must admit that I mistook her for a beauty contestant and didn't video-record her speech. I realized later that she was a consul. Sorry).

Her words mattered. What did not were the "queen's" and her guide's. Perhaps they forgot that her importance could extend as far as vouching for The Maestro to be honoured officially for his contribution to the arts world.

The Maestro has reached a momentous turning point in his life, transitioning from comics illustrator, art instructor, and graphic artist, to the fine artist that he is now. 

It's a milestone that had to be celebrated, not with some counterfeit queen and her administrator trying to steal his thunder, but with family, art colleagues and close friends.

I've been fortunate to have been invited, for long ago, I wanted to interview The Maestro at length about his art works. "Tocayo," he told me during an earlier exhibit by the Philippine Artists Group, "huwag kang mawawala sa Sept. 7 sa art show ko."

Ever since I met him years ago, we've been calling each other "tocayo" because we share the most romantic name Shakespeare had given the main character in his novel Romeo and Juliet.

Romi C. MananQuil's art show comes once in a lifetime. With that, he's actually giving us a gift - the gift of creativity that can only be glimpsed in his paintings. 

It's like he's restating what colleagues in the art world already knew - that he is The Maestro who deserves the respect and accolade of both mainstream and the Filipino community. (Copyright 2024. All Rights Reserved).

Monday 23 September 2024

The Folly of a 'Community Service Award'

Volume 6, Issue No. 11

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Monday, September 23, 2024 

~ The whole shebang looks like the organizers are pulling the wool over our eyes with one of their awards going to a schemer who steals video footage and exults being mistaken for a ranking diplomat. It's an insult, a degradation of Filipino values to pass the award recipient as a "role model for compassion, dedication and service." Just the same, the former driver popularly known as "kabise" is enabled in opulent ceremonies weeks ago in the City of Niagara Falls. 


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GOLDEN BALANGAY FOUNDATION

Bestows Community Service Award to 'Kabise'

Ostensibly for Taste of Manila Festival, No Kidding



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel



“People always clap for the wrong reasons.” – J.D. Salinger 


TORONTO - More than a dozen individuals the non-profit Golden Balangay Foundation considered "outstanding Filipino Canadians" were honoured with its "Golden Balangay Awards" during a recent ceremony in the City of Niagara Falls.

Somehow, the foundation's search for a recipient of its "community service award" ended with the choice from a field of 12 of the self-declared founder of Taste of Manila (ToM) festival, Rolly Mangante, the erstwhile driver at the Philippine Consulate here. 

Just how he bested 11 nominees is unclear. Who vetted him? The voting process, the foundation says, is performed online by a panel of judges consisting of "previous winners and/or respected individuals, community leaders, professionals, etc."

Not to doubt the integrity of the anonymous judges, but I suspect they might have been carried away by social media blitz undertaken by a bullnecked, land-based (as opposed to seaborne) Facebook chameleon who in a span of several months has refashioned her online identity as frequent as changing garment. 

Since the face could not be improved upon by tons of makeup, the chameleon had to dig deeper into her Halloween vault to find a suitable younger-looking face. At times I wonder if the face is someone else's, or just rented from Madame Tussaud's wax museum in London.

As a journalist dedicated to telling the truth, I take issue with the choice of Mangante. He isn't the role model they made him to be, regardless of his perceived success in marketing ToM to unsuspecting patrons.

For how could the judges ignore information - accessible to anyone using the computer - about Mangante, his many claims, and disgraceful conduct promoting ToM?


At the opulent awarding ceremony at the Sheraton Niagara Fallsview Hotel on Sept. 7, the foundation bestowed on Mangante its community service award along with recipients of other awards. 

The award, according to its website, "recognizes an individual who is making a significant contribution to their community through their time, actions, talents and dedication in their volunteer activities; demonstrates qualities of compassion, and service to either one organization or a variety of volunteer activities; and serves as a role model for compassion, dedication and service."

That the foundation gave the award, however shadowy it is, to Mangante speaks more about the foundation and its officials than about Mangante himself. It'll be a folly to make him a paragon of virtue, or as they put it, "a role model for compassion, dedication and service" in the Filipino community. WTF?

What "compassion"? During the Aug. 17-18, 2024 ToM festival, Mangante and his minions fulfilled his vow to punish on-site vendors who refused to "donate" to ToM by erecting a steel fence in front of their establishments, effectively denying customers access to their stores.

City authorities contacted by this reporter said the fence was illegal as the city did not sanction its installation on the street (Bathurst) and sidewalk, which are city property, not private property. (Video at: ToM Organizers Install a Monument to Their Greed - a Steel Fence).

Mangante had heated verbal exchange with one of the storeowners who complained against being blocked by the fence. Witnesses said Mangante called the police and allegedly reported that he was being assaulted.

Could we assume those establishments which were not obstructed coughed up the money demanded by ToM organizers? How much?

What "dedication and service"? Mangante was so desperate to promote his wife, Nieves Mangante, as "first lady" (according to someone moonlighting as a writer), and his close friends that he had authorized stealing film footage and photos of earlier ToM festivals from The Filipino Web Channel, spliced them with images of politicians like MP Marco Mendicino, Toronto Mayor John Tory, Councillor James Pasternak, and partner Cecile Araneta.

The manipulated video was then used to promote a virtual ToM festival at the height of the coronavirus pandemic when in-person events were prohibited. (Video at: Social Climbers in PESO Steal Street Festival Content)


The Golden Balangay Award to Mangante should not be foisted on the community. I have no doubt it will be used to further elevate himself the same way he tried to convince people in Manila to support ToM by showing my videos running in The Filipino Web Channel.

He was not content with stealing; he had to show how he supposedly managed a festival to great success, which is again false! The untold truth - kept secret for a long time - is that the whole ToM affair was being run by the low-key Teresa Torralba, his chief of staff.

Mangante was incapable of making arrangement with Toronto officials; he's linguistically-challenged, that's why he spoke in Tagalog during the award ceremony. Remember when he said "abonizing" to mean advancing payments for certain dues? That's bastardized Tagalog-English word not in the dictionary.

All the while it was Teresa Torralba calling the shots on behalf of Mangante who people thought was a good manager. But giving credit where credit is due, Mangante was a good driver (of a motor vehicle).

In Mangante's Golden Balangay Award by the foundation, our best Filipino values are sacrificed for some friendly pat on the back in consideration of what . . . money? Nobody knows, no one's telling.

Wrongdoers should never be enabled. But the Golden Balangay Foundation just did it, not for the community, but for some unexplained (and selfish?) reasons. (Copyright 2024. All Rights Reserved).