Saturday, 21 February 2026

1986 People Power Revolt: Defining Moment in Philippine History

Volume 7, Issue No. 40
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Saturday, February 21, 2026 

A news event 40 years ago this month had afforded journalists the chance to witness and be part of what had turned out to be a historical epic. That moment presented itself on February 22-25, 1986 in the Philippines' capital region. I watched and recorded that extraordinary occurrence as a foreign correspondent for an international news agency. Notwithstanding the dangers to life and limb typical in armed struggles, the event must be covered and reported like what hundreds of local and foreign journalists did on those fateful days. 

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FEBRUARY 22-25, 1986 IN MANILA
The Breakaway That Turned
Into People Power Revolution 
 

By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“We have it in our power to begin the world over again.” ― Thomas Paine 


TORONTO - On the afternoon of February 22, a Saturday, 40 years ago, staff of Defense Minister Juan Ponce Enrile informed local and foreign journalists that he was holding a press conference later in the day at his office at the Department of Defense headquarters in Camp Aguinaldo, Quezon City.

The briefing had been highly anticipated. And when it was announced, people knew something big was afoot. The situation then was at its boiling point.

At that time, the Philippines had two opposing claimants to the presidency, namely, Ferdinand E. Marcos, the incumbent at Malacanang Palace, and his challenger, Corazon C. Aquino, the housewife and widow of former senator Benigno Aquino who was assassinated at the airport in August 1983. 

Enrile held the levers of power over the military. As such the unfolding scene had thrust him to the unenviable role of arbiter of an election dispute between two powerful forces. That reality soon became clear at his early evening press conference on Feb. 22, 1986.

I was there, and so were the hundreds of journalists from foreign countries who descended on Manila to cover what had been predicted as the coming fall of an ailing dictator, Marcos, who was president for nearly 20 years.

With General Fidel V. Ramos, chief of the Philippine Constabulary, at his side at the heavily-fortified camp, Enrile declared he was withdrawing support for Marcos. He emphasized he and Ramos now recognized Mrs. Aquino as the duly elected president in the Feb. 7 snap election Marcos himself had called.

It was a dramatic breakaway, a perilous one at that. Some sectors of the military still looked up to Marcos as their commander-in-chief. General Fabian Ver, the armed forces chief of staff, swore loyalty to him.

The Enrile-Ramos withdrawal from Marcos would soon turned into a popular uprising. At that very moment, the revolution had begun. What started as an expression of support for Mrs. Aquino by a segment of the military soon developed into a "people power" revolution unprecedented in modern Philippine history.

The Philippines has had revolts in the past against Spanish, American and Japanese colonizers, but this one in February 1986 had been monumental in the fact that Filipinos themselves rose up against one of their own.

Hundreds of journalists reported the story from within the camp, anticipating an attack by forces loyal to Marcos under the command of General Fabian Ver, his chief of staff.

Even as we were fearful of what might happen, a visiting colleague from dpa (Deutsche Presse-Agentur) in Hamburg and I, and many other journalists, stayed there to cover, hopeful it would not result in a bloodbath between two factions of the military.

In our mind, either one of these two realities could happen. One, the massacre of civilians if the military loyal to Marcos tried to crush it; and two, the abdication of Marcos to pave the way for a peaceful transfer of power.

As it were, hundreds of journalists, local and foreign, could potentially be caught in the crossfire. However, that tension-filled day passed without incident.

February 22 was just the beginning. The wick was lit with the Enrile-Ramos breakaway. And that further evolved into a full-scale revolution once the archbishop of Manila, Jaime Cardinal Sin, summoned his Catholic flock to protect the rebels in Camp Aguinaldo.

And so in the days following up to February 25, Marcos fled to Hawaii and the housewife Corazon "Cory" Aquino was sworn into office as the eleventh president of the Philippines. (Video at: A New Day Dawns in the Philippines in February 1986).


The "People Power Revolution" on February 22-25, 1986 - that watershed moment in Philippine history - is the only revolution I witnessed and experienced as a foreign correspondent working for the international news agency dpa (Deutsche Presse-Agentur) based in Hamburg, Germany.

Prior to that, I covered for the Japanese daily Asahi Shimbun the major events preceding it, namely, the declaration of martial law on September 21, 1972, and the assassination of Benigno Aquino on August 21, 1983 at the Manila International Airport.

It's been 40 years and the euphoria of that golden moment seems to have been gone. (Related video at: https://www.youtube.com/watch?v=P8-B9rGHoXw)


During a visit to the Philippines in February 2018, I attended a photo exhibit by photojournalist Sonny Camarillo chronicling the People Power Revolution. I had the chance to do a brief interview with him. (Video: https://www.youtube.com/watch?v=MIi0EMVWRt8 and interview at the 15:23 mark). (Copyright 2026. All Rights Reserved).


Saturday, 14 February 2026

Loving the Songs and Poems on Valentine's Day

Volume 7, Issue No. 39
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Saturday, February 14, 2026 

~ Today is not even a holiday. Nonetheless, there's no reason not to celebrate and reflect on those moments whenever Valentine's Day, February 14, comes, and in our situation, in the closing days of winter. The love songs, poems, and stories are a good shield to ward off the chill and subzero temperatures. 

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MEMORIES OF TIMES PAST
Loving the Songs, Poems,
Stories on Valentine's Day
 

By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“I love thee with a love that shall not die. Till the sun grows cold and the stars grow old.” ― William Shakespeare


TORONTO - Love songs, love poems, love stories - everyone must have experienced any of those, or everything, growing up and growing old, which means through the passage of time.

At a young age, the first love songs I heard flowed from an analog radio the size of a shoe box. Not of my choosing, but because my mother had her list of programs to listen to while doing the house chores.

I learned to like Only You by the Platters, Love Is a Many Splendored Thing and Three Coins in the Fountain by the Four Aces, Can't Help Falling in Love with You, Love Me Tender and Are You Lonesome Tonight by Elvis Presley, Till by Shirley Bassey, Unchained Melody by the Righteous Brothers, Two for the Road by Henry Mancini, and many others.

At that early age, I developed a strong liking for ballads. Among us in the family, what we fondly call our "national anthem" is Love Is a Many Splendored Thing, my mother's favorite. 

In college, poetry absorbed me from that moment I attended a poetry reading. The auditorium was half-packed with freshmen and sophomores sharing an interest in literature.

Shortly before the reading started, one of the organizers lit a solitary candle and turned off the light. Then the music filled the room after which a classmate emerged from the dark and began reading by candle light.

I didn't know it then, but the background music that played was Rachmaninoff's Rhapsody on a Theme of Paganini, famously the score in the movie Somewhere in Time. (Video: https://www.youtube.com/watch?v=TQEpknjUeZg)

The emotion that went with the poem and the music, plus the romantic ambience in that auditorium, never left me to this day. I fell in love with poetry. And my affection grew for classical music.

The love stories of that period still smoulder even with age. Years later as a working student, I remember Rico Puno's insert of these Tagalog lines "alaala/nang tayo'y mag-sweetheart pa/namamasyal pa sa Luneta/nang walang pera" in his version of Barbra Streisand's The Way We Were. (Video: https://www.youtube.com/watch?v=3Um7cqW5olc)

That was quite a hit at that time. I can personally relate to it, I mean the Tagalog insertions, because it portrayed exactly the situation I was in with three of my closest friends as we celebrated a birthday at the Luneta.

Wandering around the whole day with so little money to spend was surely disappointing. But with close friends sharing a blissful day was enough to make up for what we lacked. And it wasn't even Valentine's Day, which was to come two months later.

As time passed, the Original Pilipino Music, the outgrowth of Manila Sound, came into being with such love songs as Ikaw, Pers Lab, Kapantay ay Langit, Ikaw Lang ang Mamahalin, Ngayon at Kailan Man, Bato sa Buhangin, and Gaano Kita Kamahal, among many others. (Video: https://www.youtube.com/watch?v=Chl-3w0dQ20). 

Related stories:


Today, February 14, is Valentine's Day. As we celebrate with loved ones, let's reflect on what this anonymous writer said: "Memories are a way of holding onto the things you love." (Copyright 2026. All Rights Reserved).

Monday, 9 February 2026

Sweet Sunday Aboard the Eglinton Light Rail Transit

Volume 7, Issue No. 38
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Tuesday, February 9, 2026 

A joyful ride it was for the most part of this free ride on Sunday, Feb. 8, aboard Toronto's newest light rail transit servicing the east-west section of the city. There were minor glitches for the inaugural run, but passengers and their families didn't seem to mind as they cheered and sang on the west-bound trip from Eglinton Station. 

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EGLINTON CROSSTOWN LRT
Joyride to Toronto's 
East-West Region
 

By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“You can't understand a city without using its public transportation system.” ― Erol Ozan 


TORONTO - Enthusiastic crowds on Sunday, Feb. 8, thronged each of the 25 LRT (light rail transit) stations along the 19-kilometre route from Kennedy in the east and Mt. Dennis in the west. 

The day was free ride day to mark the official opening and inaugural run of the much-delayed LRT. "It's a major milestone for commuters in the Greater Toronto Area," the Ontario provincial government said in a press statement.

Known as the Eglinton Crosstown LRT or Line 5 Eglinton, it runs between Kennedy and Mt. Dennis stations along Eglinton Avenue, linking 68 routes, three TTC subway stations and two GO transit lines.


"The Eglinton LRT will connect people and communities across the city, helping thousands commute each day and reducing congestion on our roads," Toronto Mayor Olivia Chow said.

I had planned to start my news coverage from the west end at Mt. Dennis, but skipped it and the five stops in between since Cedarvale, the station nearest to me, was along the way anyway.

A sizable crowd had already gathered at 9:30 a.m. and shortly after 10 a.m., we were at Eglinton station, which was five stops away. We stepped out here to take photos and videos. 


A while later, we boarded the next train. It was jampacked; one could hardly move. Everyone with a cell phone was taking pictures. At Laird station where the train stopped for nearly 10 minutes, the operator announced the train was "out of service."

Apparently somebody had jumped the tracks, and once the sensors had felt it, the train automatically stopped, according to the operator. All through the ordeal, however, no transit official made an effort to explain what happened. 

The inconvenience it caused - a delay that set back our timetable - was the only problem we encountered on the way to its terminal at Eglinton station. Besides, the atmosphere was a bit subdued.

In contrast, the travel back west to Cedarvale was upbeat as passengers, evidently enjoying the free ride with their families and pets and the scenic route above ground from Kennedy to Laird, cheered and sang. Ten kilometres of the rail tracks - from Laird to Mt. Dennis - are underground.

On my reckoning, the west-bound trip ending at Cedarvale took an hour. But it was fun, regardless, and educational. For me, it's a Sunday well spent. (Copyright 2026. All Rights Reserved).

Wednesday, 4 February 2026

Film Documents Melania's Journey to Becoming FLOTUS

Volume 7, Issue No. 37
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Wednesday, February 4, 2026 

~ Slovenia-born Melania Knauss (formerly Knavs) entered the United States on an EB-1A visa, commonly known as the "Einstein Visa," reserved for individuals with extraordinary ability. Her journey to citizenship and to being US first lady is one of glamour reenforced by her marriage to Donald Trump, the 45th and present (47th) president. A documentary titled "Melania" is currently showing in theatres in the Greater Toronto Area. The number of moviegoers is below expectations. Yesterday at Scotiabank Theatre in downtown, 19 people turned up, which was a big improvement from the day's opening with only seven souls in attendance. 

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MELANIA THE DOCUMENTARY
An Immigrant's Journey 
to Becoming FLOTUS
 

By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“Your life does not get better by chance, it gets better by change.” ― Jim Rohn


TORONTO - Social media is awash with stories and memes about Melania, the eponymous documentary featuring Melania Knauss Trump, the 55-year-old Slovenia-born third wife of US President Donald J. Trump.

Critics had a field day mocking the movie which is currently showing in two theatres here in Toronto - Scotiabank Theatre on Richmond St. in downtown, and Cineplex Cinema in Scarborough.

(Related video: 
https://www.youtube.com/watch?v=lZ6Sq7fpF4Q).

Its dismal performance during the weekend kindled my interest in watching it, just to find out for myself why, despite the huge budget totalling US$75 million - "the highest price ever paid for a documentary" - lavished by Jeff Bezos and MGM Studios.

Melania Trump reportedly made $28 million from the film, which chronicles the 20 days prior to her transition, again, from commoner making a living as a model to first lady of the United States, being the wife of Donald J. Trump who was going to be sworn in by Chief Justice John Roberts as the 47th US president.

So yesterday (Tuesday, Feb. 3) afternoon I went to watch it at Scotiabank Theatre, and paid $5.65 for a seat for the nearly two-hour long movie. Many of the scenes were already familiar to me, having watched the extensive news coverages by the major networks of Trump's inauguration on January 20, 2025.

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Here's how the blurb goes:
Offering unprecedented access to the 20 days leading up to the 2025 Presidential Inauguration — through the eyes of the First Lady-elect herself — step inside Melania Trump's world as she orchestrates inauguration plans, navigates the complexities of the White House transition, and reenters public life with her family. With exclusive footage capturing critical meetings, private conversations, and never-before-seen environments, Mrs. Trump returns to one of the world's most powerful roles.

* * *     * * *
Thirty minutes before the main feature, I was already in the theatre. I felt a little disappointed to see empty seats knowing that on Tuesdays, ticket price is much lower than on other days and on the weekend. I was actually the fifth patron there.

Towards the showing at one o'clock, more people came in. I had positioned myself at the top of the stairway so I could count, and by the time Melania started, the number of moviegoers had grown to less than 20. Later I asked the concierge how many people actually paid and watched. "Nineteen," he said. That confirmed my own account.

Compared to genuine documentaries that I've watched as a student of history, there's nothing memorable about Melania. The ostentatious gold-plated settings everywhere one looked at are cruel, at least to my eyes. But Melania Trump clearly enjoyed the glitter.

For me, two statements from her stand out. One is when she said in a pre-recorded voice-over: "Everyone should do what they can to protect our individual rights. Never take them for granted, because in the end, no matter where we come from, we are bound by the same humanity."

It sounded so deceptive, like she was not aware of what the administration of her husband Donald Trump, a convicted felon and adjudicated sexual offender, is doing against immigrants like herself, in Minnesota, California, Illinois, Texas and across the country.

I wish she would tell him: Donald dear, remember that I come from Slovenia, and your parents are immigrants from Germany and Scotland, and therefore "we are bound by the same humanity." So ease up, please.


Incidentally, multiple news reports claimed Donald Trump's name appeared at least a thousand times in the Jeffrey Epstein files released by the US Department of Justice. But that does not imply wrongdoing, authorities said.

The second noteworthy remark at that juncture when Melania Trump was being escorted to the stage by a Marine, she quipped: "Here we go again" and flashed a contemptuous smile.

The comment caught my attention for its flippancy, perhaps her attempt to humour moviegoers or the people attending the inauguration ceremonies at the White House.

"Here we go again" is an idiom defined by the dictionary as "something familiar, and often familiar or unwelcome, is happening again. The phrase usually emphasizes the speaker's frustration or annoyance that this is the case."

The documentary failed in many respects, in my opinion, as a moviegoer and journalist. Not once did Melania Trump miss the opportunity to inspire beyond the glamour of her position.

I was expecting to see some kind of justification for her alleged genius implied in being a recipient of the Einstein Visa. Maybe her constant discussion with designers and dressmakers manifested that "genius" if that's what it is.




I got tired watching her walking back and forth, trying customized dresses with a retinue of assistants, traveling by plane and car from one destination to the next, talking flimsy with aides, dancing a bit to the tune of YMCA.

But I had to endure all the hoopla and fancy accolade bestowed on her by Jeff Bezos and MGM Studios' $75 million ($40 million for production and $35 million for promotions) gift - some critics say it's a bribe - to confirm my doubts.

That $75 million for such a lousy documentary, isn't it genius? (Copyright 2026. All Rights Reserved).