Friday, 28 January 2022

Here and Abroad, Filipino Centre Toronto Is in the Public Eye

Volume 3, Issue No. 28
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America and beyond . . . . . .
 
 Our latest as of Friday, January 28, 2022 

Domestic and foreign interests in the activities of Filipino Centre Toronto are growing bigger by the day, that's what the daily monitoring shows. In the blog analytics provided by Google, readership of FCT articles posted on my blog Filipino Web Magazine continues to spike, an indication of renewed public concern here at home and in the United States, the Philippines, and some countries in Europe and the Middle East. 

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THE PROOF IS IN THE METRICS
Interest in Filipino Centre Toronto Grows Big


By ROMEO P. MARQUEZ
Editor, The Filipino Web Channel



“When truth is replaced by silence, the silence is a lie.” ― Yevgeny Yevtushenko



TORONTO - Hope springs eternal in the human breast, wrote the 18th century English poet and satirist Alexander Pope. In current usage, that line has since been shortened to "hope springs eternal".

Inspirational it is, so full of positivity to move me to believe again and scoff at what I was earlier poised to accept, that it is futile to continue writing about the non-profit Filipino Centre Toronto (FCT) when the community itself didn't care much whether it is screwed repeatedly.

The eureka moment came while I was reviewing the analytics of my articles about the multimillionaire organization and its officers in my blog (https://filwebchannelmagazine.blogspot.com/) I created in July 2019 upon losing access to a local print media.

The blog is the expanded public service to complement the socmed outlets under the umbrella of my eponymous multimedia network, Romar Media Canada, namely, The Filipino Web Channel, Currents & Breaking News, Filipino Web Entertainment, Eats and Restos Channel, Journo Travels Channel, among others.

What a blessing, I said to myself, that I had forfeited that ability to communicate via print, the medium I've been used to and honed in since the start of a journalism career decades back. A blessing in disguise, no doubt. Frankly, I'm grateful it happened. I gained a thousand more times what I lost in newspaper readership.

With the blog, I could reach countless readers I never imagined was possible if writing for a neighborhood publication. A computer or any of the electronics gadgets available, such as iPad, iPhone, and the like, guarantees a quick path to the blog.

That situation is unlikely to take place with a newspaper that depends on the number of copies it prints, on the reliability of the people distributing it, on the outlets to where it is supplied, on geographical boundaries, and on the weather. Some outlets, especially supermarkets and restaurants, make practical use of it as a wrapper.

In this context, a newspaper's reach is limited. If print copies are confined to, say 1,000, that does not equate to the number of readers. Once the paper is out there, nobody counts who picks and reads it. The assumption is that once copies are gone, they're kept and read, which is wrong because outlets like grocers find them a helpful utility. But I digress a little bit here. 

The big surprise that greeted me in analyzing the Google analytics of my blog is the metrics. My readers have spiked by the hundreds and their focus is the nineteen (19) stories I wrote about FCT during the three-year period 2019 to 2021.

As heartwarming as it is, I also feel some kind of deliverance from what I had thought was an ineffectual journalism undertaking advocating for truth, transparency, and accountability among community organizations.

There's a growing interest in what's going on in FCT, that's what the metrics indicate. And the big bulks of my readers are in the United States, Canada, the Philippines, and some countries in Europe and the Middle East.

Coming close to the FCT articles are my writeups about the now-defunct Periodico tabloid (which I edited once only), the articles about the Taste of Manila street festival, my accounts of a work experience in a local tabloid, and the coronavirus situation in Toronto.

It seems uncertain a few months ago that only a dozen or two concerned individuals were committed to finding out the truth in FCT. The numerous articles have articulated members' interests and anxieties and what they feel is the non-profit's unreasonable stonewalling.

All they want is to be informed of the whereabouts of huge amounts of money left from the $5.9 million sale of its old building. It's that simple. But why are the FCT officers having difficulty disclosing it? Why keep the community in the dark?

The stillness is unfathomable and asinine, if I may say so. Could their eternal silence be associated with the fate of millions of dollars in their hands?

FCT appears to have attained an unparalleled record in keeping off eagle-eyed members, whistleblowers, and some media entities from accessing information about its status as a bankrupt non-profit that struck it rich.

So rich, in fact, that its officers are probably drowning in both the smell and crisp texture of money stashed in banks or in some subterranean vaults in FCT's $1.9-million digs in suburban Scarborough.

Its public declaration of being accountable and transparent rings hollow. FCT officers who mouth this line are merely pandering to supporters and benefactors who want to hear buzzwords that make them smile and unzip their pockets. (Video at: https://www.youtube.com/watch?v=PZFXKzvQqYY).

FCT may argue that it has complied with demands with the release in mid-November of "a qualified audit report" for the years 2016, 2017, and 2018 that was circulated to members. (Full story at: https://filwebchannelmagazine.blogspot.com/2021/12/major-deficiencies-plague-filipino.html).

Why this is happening may be partly blamed on a host of factors that allow the non-profit organization to evade accountability and transparency being sought by concerned members and whistleblowers.

The spate of negative news FCT is drawing in these months does not seem to affect the officers at all. They appear to relish being silent. And most of the local media does not seem to care either. (Video at: https://www.youtube.com/watch?v=1dWabOiCwhU)

There is danger in there. When the press or media abandons its traditional role as public guardian - the reason it's called the fourth estate - abuse tends to follow.

Such a situation should not be tolerated for so long, that's my view as a journalist. In healthy societies and active communities, the media plays a critical role. To suppress media is to deny the public's right to know. That denial enables those in positions of responsibility to abuse power and to hide their nefarious activities. (Video at: https://www.youtube.com/watch?v=E5YUCP0xqlQ).

I am tempted to say that there's very little understanding in FCT of the work of journalists, perhaps due in part to its long exposure to the entertainment press that abounds in local publications.

I mean no offense but people in that sub-group are more into - I say this again for the nth time - putting lipstick on a pig. Or said another way, put a "ring of gold in a swine's snout". It means the same basically. However one tries to prettify it, it's still a pig.

Just to be clear, I don't mean to imply FCT officers are pigs. It's not their fault that the entertainment press treats them like luminaries whose concern revolves around public fiestas, galas, and socials.

Proof of this is easily seen on pages upon pages of Filipino tabloids. One rag sheet even keeps track of FCT's planned activities as soon as health protocols are lifted.

If this is the kind of news coverage we see all the time, journalism suffers, and consequently, the public suffers. But let's not give in so easily. Hope springs eternal. (Copyright 2022. All Rights Reserved).

Wednesday, 26 January 2022

ToM Undergoes Political Rehabilitation

Volume 3, Issue No. 27
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America and beyond . . . . . .
 
 The News UpFront: (TOP STORY) as of Wednesday, January 26, 2022 

Dead by coronavirus since 2020, the Taste of Manila (ToM) street festival has been practically buried, its existence lingers only in the subconscious. In its wake, however, a hybrid fest, currently in virtual mode, has risen, giving us a preview of what it would be in the future. New name, new sponsors, new outlook - all geared to rehabilitate certain personages and to fit a blue-coloured political narrative. 

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CANADA'S LARGEST FILIPINO STREET FESTIVAL
Reincarnating Taste of Manila . . . for Politics?

(Third of Three Parts)

By ROMEO P. MARQUEZ
Editor, The Filipino Web Channel



“Even journalism has ethics and everyone should follow them.” ― Aishwarya R. Dhanus



TORONTO - A seemingly furtive successor to the highly successful Taste of Manila (ToM) festival is out, virtually, of course, for the meantime, to suggest efforts are underway to rehabilitate certain personages in the Filipino community and the festivities as well.

To all intents and purposes, ToM is dead by coronavirus. I don't mean it was medically infected in the first place; the health protocols prohibiting mass gatherings are still in place three years into the pandemic. So ToM is one of those forced to discontinue.

The first attempt to revive it in 2020 fell flat. Now, a second reincarnation is very much in progress on the web complete with a change of name, an exclusive sponsor, and a new group reputed for worldly activities handling it.

That much is manifest in at least three videos entitled "International Taste of Manila - Virtual Presentation" (ITM-VP) which appear to rejuvenate the street revelry that had dominated the local summer scene for six years until the pandemic forced its discontinuance in 2019.

After carefully watching the patchy ITM-VP videos on this obscure Tomz Radio Toronto (TRT), it became evident there's an attempt by questionable individuals to distort historical facts by adding the adjective "international" to ToM and spinning it to fit the narrative of disgraced politicos and their followers. 

The shift from ToM to ITM-VP is similar to changing political stripes from Liberal (red) to Conservative (blue). Put another way, the transition signals a reposition of allegiance, a full transformation from a neutral communal activity overtly influenced by red to a blue-coloured political reach out.

The interest the Conservatives had shown as early as 2015, the second year of ToM, appears to be shaping up again with what could be interpreted as a total takeover and makeover of THE biggest Filipino street festival in Canada, if not in North America. 

ToM's allure had been so irresistible as to embolden the Tories to sneak themselves into the parade of participants in August 2015, making it appear they were the spearhead of the march much to the chagrin of Philippine diplomats and organizers. (Story and video at: https://www.youtube.com/watch?v=lNkHG36opmI).

According to its own video blurb, ITM-VP's exclusive media sponsor is GMA, the Manila-based network, which includes GMA Life TV, GMA Pinoy TV, and GMA News TV. That probably accounts for the changing spin.

Was GMA aware that some footage of the spotty ITM-VP was taken without permission from my coverage for my Filipino Web Channel? (Video at: https://www.youtube.com/user/FilipinoWebChannel#g/u).

It wasn't quite a big deal for me had the people behind the ITM-VP asked a small favor to use for their promo some segments of videos of which I have sole proprietary rights. Respect, courtesy - those things matter.

No source of comfort either that since ITM-VP was re-uploaded on January 8, 2022, it had only 2 views (perhaps my visit would be the third), a shameful drop from the original video that had garnered 10 views, then 11, 12, and 13, the last three views owed to me checking on what was pirated from my channel.

The dismal showing is, to be kind, pitiful. Out of compassion, shouldn't ITM-VP just be permitted without being sanctioned? But there are rules to be adhered to, laws to be followed, and ethics to be observed. 

Plagiarism - defined by scribbr.com as "using someone else's work without giving them proper credit" and involves copying words and images - is definitely a no-no in journalism. It is not countenanced. It is forbidden.


I suppose the creators of ITM-VP knew this. Or if they professed ignorance, the more they should be cited for incompetence, indolence, or just plain carelessness. (Video at: https://www.youtube.com/watch?v=AanA5a2V6y4).

I happen to come upon ITM-VP while reviewing the many videos I created about the Taste of Manila (ToM) festival from its very beginning in August 2014 to its last staging in 2019 preparatory to the series of articles I was writing.

An upstart group called Tomz Radio Toronto (TRT) was perhaps hoping to cash in by filling up the vacuum left by ToM and devised the ITM-VP in two segments and uploaded it on January 8, 2022. The first part runs for one hour and 23 minutes and the second, for 58 minutes. 

Previously, on December 30, 2021, TRT had its initial ITM-VP that ran far longer - two hours and thirty-two minutes - and had only 10 views. The very few souls (my guess they're TRT staff) who patiently watched it must have mistaken it for a full-length movie. I know, I know it was a waste of time.

Even then, I based my original complaint on this presentation in an email to info@tomzradio.com dated January 9, 2022. In that email, I demanded the removal of the video clips, if not, pay for using them plus attribution. (Video at: https://www.youtube.com/watch?v=Z8o2o8D4Xpk).

All three parts of the ITM-VP videos carried footage of my interview and coverage of Toronto Mayor John Tory and ToM revelers. Unfortunately, none acknowledge that those parts were sourced from my YouTube channel. (Video at: https://www.youtube.com/watch?v=G3djfjNVR8Q).

I had hoped that the latest and previous ITM-VP uploads would bear edits crediting The Filipino Web Channel, or myself as the videographer, but none exists. I also had hoped the people responsible for ITM-VP would seek permission, and that never materialize either. (Video at: https://www.youtube.com/watch?v=ms1K7JYpzZk).

Copycats, internet pirates, plagiarists, whatever they're called, are everywhere in the Filipino community. Not at all surprising as the local media landscape is populated by people who know little, if at all, or have no business being identified as media, press, or journalists.

They don't understand that misappropriating someone's work for another person's benefit is a practice loathed by professionals, academics, notably those in the journalism business. Does TRT belong here? (Copyright 2022. All Rights Reserved).

Monday, 17 January 2022

Taste of Manila Could Have Been a Catalyst for Empowerment

Volume 3, Issue No. 26

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America and beyond . . . . . .
 
 Our latest as of Monday, January 17, 2022 

~ "Those were the days my friend, we thought they'd never end . . . " - that 1968 song by Mary Hopkin comes to mind when remembering days of yore that had been Taste of Manila (ToM), the ethnic revelry that had dominated Toronto's Filipino community from 2014 to 2019. It was "the largest Filipino street festival outside of the Philippines", says Teresa M. Torralba who coined the phrase, and the actual brains behind ToM's mixed themes of cuisine, culture, entertainment, and a sprinkling of politicsHad it been managed properly by organizers and its ambitious goals followed, ToM could have transformed the growing diaspora and elevated it into a powerful political force, one that's just not fully engrossed in fleeting entertainment. 


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CANADA'S LARGEST FILIPINO STREET FESTIVAL
Taste of Manila's Missed Opportunities 

(Second of Three Parts)

By ROMEO P. MARQUEZ
Editor, The Filipino Web Channel



“How short the happy moments seem and how endless the sad ones.” ― Laura Chouette



TORONTO - During its heyday not too long ago, the 
street festival fondly called Taste of Manila (or ToM), the progenitor of the informally-named Little Manila business enclave in the city's North York district, had the transformative potential to be a catalyst in unifying the fractious Filipino community. 

More about Little Manila in these videos: 
1. https://www.youtube.com/watch?v=hsJFlnNerVA; 2. https://www.youtube.com/watch?v=eACkDCFUVwY;
3. https://www.youtube.com/watch?v=H2fI0c11aO0; 4. https://www.youtube.com/watch?v=9aOgDtLd6ec.

No single event by Filipinos had attracted so much attention and patronage because of a refreshing new look in conducting it, i.e. free of charge, easy availability of public transportation; no dress code; wide, open spaces along a major road artery, convenient access to supermarkets and restaurants, freedom of movement, etcetera. (Video at: https://www.youtube.com/watch?v=HjftzI3iQ14).

Politicians had seen its promise. City, provincial, and federal leaders eyeing elective office made sure they were visibly recognized and acknowledged in ToM's every staging, starting in 2014 and up to its last performance in 2019, just four months before the coronavirus was officially declared a pandemic, thus COVID-19.

Largely unseen in their attempts to ingratiate themselves to the electorate was the prospect of getting broad support. To the politicians, ToM, with its growing popularity, basically was key to their success, a knowledge that apparently has escaped notice by organizers who felt sufficiently comfortable being praised before the mass of fans.

As a matter of fact, in 2015, a federal election year, the then ruling Conservative Party (or Tories) caused a ruckus when its candidates for parliament jumped in at the head of the parade of participants, relegating Philippine diplomats to a secondary role in disregarded of protocol, and led the march as if they owned it. 

The optics created the impression that ToM was a Conservative partisan. It actually sparked revulsion that might have been one of the causes of the party's loss in the following October election where the Liberals (also called Grits) led by Justin Trudeau, now the current prime minister, garnered the majority in Parliament with 184 seats against the Tories' 99.

For some, however, the view was from a narrow perspective. ToM could be their shortcut to aggrandizing themselves. The prospect of profiting from ToM and taking home huge amounts of money was just too overwhelming to ignore. And ToM was the cash cow. (Related video at: https://www.youtube.com/watch?v=9aOgDtLd6ec).

Not a big surprise either. For example, unconfirmed reports had started to trickle that Officer A earned in two days the amount he had to work for in one year. Officer B had amassed enough to acquire modern-day conveniences. Officer C had flown the coop to start a business somewhere.

ToM, through its supposedly charitable arm, the Philippine Cultural Community Centre (PCCC), did not have official (as opposed to fabricated) financial reports, and if it did, those were under wraps. Within the organization, there was firm resistance to revealing ToM's revenues. (VIdeo at: https://www.youtube.com/watch?v=I5bqjpeNJps).

I recall the secret email exchanges between two board members of PCCC. One stated, and I quote: "It's not proper de quorum (sic) /attitude to disclosed (sic) confidential matter to people who are not part of our organization. It's a common sense in any business owner that they don't want other people to know sensitive issue about their business".

To which the other guy responded in English and Tagalog, and I quote: "Tama . . . everything should stay confidential within us. Kahit kay Mrs. 'wag nating sabihin". (Full story at: https://www.balita.ca/taste-of-manila-goes-distasteful-one-street-festival-and-three-financial-reports/).

Even as ToM had already achieved a historic feat in the Filipino community in its second year in 2015 (https://www.youtube.com/watch?v=De6MOZ6Vqlw), the year 2016 attested to its going mainstream. The number of attendees spiraled to heights never seen before by any combination of events by Filipino associations.

Still beaming with pride for having trounced the Tories nine months earlier, Prime Minister Justin Trudeau swooped down from his parliamentary office in Ottawa and rubbed shoulders with common folks at ToM's third staging in Little Manila on Saturday, August 20, 2016. (Video at: https://www.youtube.com/watch?v=cWQr7tlg5pk).

The following day, Ontario Premier Kathleen Wynn dropped by ToM (video at: https://www.youtube.com/watch?v=IYjRO6DXgNc) and hobnobbed with the crowd, had selfies with individuals and groups, which practically cemented the festival's status as the leading Filipino social and cultural event in the province.

As success after success came through, ToM was slowly disintegrating inside. Mutual distrust was evident among its officers and eventually came to a head months later when PCCC, its organizing charity, was disbanded, coming as it did at a worse time when ToM teetered for lack of funds.

Five weeks before ToM's 2018 staging, organizers announced that the festival was being shelved due to mounting liquidity problems. It could not raise the $50,000 shortfall to cover the initial cost to stage it, which was estimated at $200,000, an amount to pay expenses for city services like health and sanitation, transportation, and police.

At the very last minute, however, Toronto Mayor John Tory and Councillor James Pasternak whose district covers Little Manila, came to the rescue. "We're not prepared to let Taste of Manila go by the wayside," Tory declared. "Taste of Manila deserves to be kept going," the mayor added.
And with that, ToM emerged from near death. But that was to be the last ToM under the PCCC banner. (Videos at: https://www.youtube.com/watch?v=8aLg4yzAljs and https://www.youtube.com/watch?v=cTMMjhsgmoE).
A newly-minted organization, the independent Philippine Legacy and Cultural Alliance (PLACA), has been constituted by former PCCC members to take over ToM starting in August 2019. (Copyright 2022. All Rights Reserved).

Thursday, 13 January 2022

The Glory That Was Taste of Manila


Volume 3, Issue No. 25

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America and beyond . . . . . .
 
 Our latest as of Thursday, January 13, 2022 

Gone are the glory days, even in the interim, for the once-promising street festival that birthed an ethnic enclave in Canada's largest city, and potentially, the impetus to unite Filipinos, currently the "third-largest Asian Canadian group in the nation after the Indian and Chinese communities". From the summer of 2014 to 2019, the Taste of Manila attracted enormous crowds of Canadians, Americans, and many other nationalities of Filipino ancestry that made it topmost in Canada, if not in North America. Where it started has been christened "Little Manila" as a tribute to the Philippine capital whose sights and sounds are mimicked in Toronto's North York district.


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CANADA'S LARGEST FILIPINO STREET FESTIVAL
Glory Days of Taste of Manila Redux

(First of Three Parts)

By ROMEO P. MARQUEZ
Editor, The Filipino Web Channel



"Glory is fleeting, but obscurity is forever". - Napoleon Bonaparte



TORONTO - The journey from anonymity to fame was almost instantaneous for those who had a hand in putting flesh to a concept that had led to the creation of a community festival comparable in magnitude to mainstream festivities.

Taste of Manila (ToM) was that smash hit festival, inarguably the most successful in terms of bringing together the disparate Filipino ethnic groups, but a total failure in advancing social goals organizers had set out to do at the beginning.

At its core, ToM was a Filipino family reunion magnified a thousand times by individuals and families long gone from their roots and now yearning for the familiar touches of neighborhood camaraderie that involved sharing of personal circumstances, culture, food, and common aspirations.

Visualized along the lines of a money-making entertainment venture through community reach-out, ToM unintentionally filled that void. That was the part that surprised everyone and called attention to the popularity of revenue-free grassroots events.

Contrary to popular beliefs, ToM was not the handiwork of one person's fertile imagination. The idea of a Business Improvement Area (BIA) had percolated in the minds of community-oriented individuals, including then Consul General Andy Mosquera (who held the post from May 2003 to January 2010) and Police Constable (now Sergeant) Philip Mendoza, who pitched it to city officials.

For some unknown reasons, the idea stayed on the back burner for a few years. When Ambassador Pedro O. Chan was appointed Philippine Consul General in Toronto from June 2011 to April 2012, he revived the original plan and discussed its prospects with then Toronto Police Chief Bill Blair and Senior Superintendent Jane Wilcox.

Its full fruition didn't come until one enterprising employee of the Philippine Consulate, Rolly Mangante, who had inserted himself inappropriately at the Chan-Blair meeting, took it upon himself to claim ownership of the scheme. 

Lacking skills but unashamed, Mangante recruited fledglings within the small circle of friends he knew and formed what became known as the Philippine Cultural Community Centre (PCCC), the organization that oversaw and managed ToM. Its membership roster was allegedly a who's who in dubious activities.

Outside of PCCC's politics, however, the real creative minds were the couple Mon and Teresa Torralba whom Mangante consulted for their vast experience gained from years of staging their own Filipinos Making Waves Festival at Yonge and Dundas Square.

Mon is of the famed Hotdog band (remember "Pers Lab"?) which provided the pulsating musical theme "Manila, Manila" to ToM. Teresa is the unpretentious lady who makes waves in the background, reserved but ever-watchful, who advised PCCC's top brass and conducted business meticulously with city authorities and corporate supporters.

By the time Chan was succeeded by Junever Mahilum-West as Consul General in May 2012, PCCC had taken shape, and with it, the original concept of ToM. The festival finally panned out in August 2014, a good eight months prior to her new appointment in March 2015 as Ambassador to Jordan and Palestine. 

Earlier in June of 2014, ToM was formally launched in a well-attended luncheon at the now-defunct Cusina Lounge (owned by a PCCC officer) with then Toronto Mayor Rob Ford (May 28, 1969 – March 22, 2016), Councillor James Pasternak, and other city officials as honored guests. 

In mid-summer two months later, ToM staged a two-day festival on the weekend of August 23 and 24 on what is now referred to as Little Manila, the general area radiating from the intersection of Wilson Avenue and Bathurst Street in the North York neighbourhood. Philippine Ambassador to Canada Leslie B. Gatan christened ToM's birthplace as Little Manila. (Video at: https://www.youtube.com/watch?v=rcZa99xeGW0).

The early beginning was truly auspicious. ToM was flushed with its first taste of sweet success when people descended on the expanse of restaurants, hole-in-wall snack bars, and commercial establishments in droves, first by the dozens, then by the hundreds, and by the thousands.

Patrons and corporate sponsors grew bigger every year since 2014. As ToM expanded beyond belief, the infighting among some PCCC officers became more pronounced. Barely a year old, their bitter rivalry threatened to wreak havoc on both the organization and the festival. (Video at: https://www.youtube.com/watch?v=HGxrVehcmDU at the 1:19 mark). 

Proposed programs hyped to benefit the community had been forgotten. Accusations flew thick and fast. One officer allegedly absconded to the Philippines with an undetermined amount of money. Another purportedly acquired a small yacht, and still another obtained a new motorbike. Those allegations have not been proven.

A few years later, ToM was nearing extinction. A last-minute intervention by city authorities led by Toronto Mayor John Tory averted its total collapse. Lack of funds, infighting among PCCC's green-eyed officers, and mounting costs were spiraling out of control, ensuring its downfall.

ToM was gaining enough traction so that in 2016, Canada Prime Minister Justin Trudeau and other federal officials took time out to participate in the festivities. (Videos at: https://www.youtube.com/watch?v=XCnr3L5Dpcg and https://www.youtube.com/watch?v=cWQr7tlg5pk).

ToM was a disaster waiting to happen. Its phenomenal success had bred instability. Nobody knew its true financial situation. Some officers were contracting leases on their personal accounts, some took advantage of their positions to boost their private ventures. It was like "to each his own" business concern. Indeed, success had gone to the heads of its officers. (Copyright 2022. All Rights Reserved).