Friday, 29 August 2025

Frank Cruzet's Art Program Enriches Life and Outlook

Volume 7, Issue No. 11
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Friday, August 29, 2025 

They're the late bloomers of the baby boomer generation. Rather than wither in their homes worrying about the setting sun in their lives, artist Frank Cruzet is giving them the impetus to escape boredom. Brush, canvas, paint, and water colour are his tools to wean them away from morbid thoughts. And by far, he succeeds in getting several dozens of our folks to engage in creative thinking and paint. Remember what Vincent Van Gogh said: "The only time I feel alive is when I'm painting."

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FRANK CRUZET'S SENIORS ART PROGRAM
Creativity Helps Delay Advancing Years
Painting Enriches Life and Improves Outlook


By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.” ― Madeleine L'Engle


TORONTO - A bit of a stretch it may sound, but Frank Cruzet, the cop-turned-artist, capitalizes on his past experience physically arresting wrongdoers; this time, however, he's arresting a mind condition that affects folks in their sunset years.

"Therapeutic" he calls his inexpensive weekly outreach to divert boredom into creativity by challenging boomers - those born in 1946 through 1964, so called because of a spike in births after the Second World War.

Frank himself is a self-taught painter who conquered the art world, particularly in Toronto, with his oil, acrylic, and watercolor paintings that had been exhibited outside Canada and displayed in art shows by the Philippine Artists Group where he is a member.

Some works have garnered awards like the 20x24 Victoria Park Harbour painting which bested 32 artists and won first prize in the Belleville Plein Air Competition conducted by the Quinte Art Council in 2022.

Frank holds court at Filipino Centre Toronto (FCT) in Scarborough every Wednesday teaching dozens of his protégés (he calls them students) the basics of painting, styles, techniques, and mixing colours.

He sighs a feeling of accomplishment and pride that none of his students - 70 at the latest count - shows any signs of Alzheimer's, a common form of dementia. 

Related videos:

"All of them are very active," he says. "And when they go home, they feel pleased and thankful for spending a satisfying day doing their art," he adds.

Canada's Alzheimer Society, however, explained that "The idea that dementia is an 'old person's disease' is not just stigmatizing, it's also a myth." It added that "age-associated memory impairment is part of the natural process of aging."

Frank says the art session being undertaken by the Seniors Art Program he founded with FCT is purely voluntary. "We don't have salary,  it's all voluntary here. We also have free meals, free snacks, free everything from donors."

Membership in the program has grown from 12 to 70, according to Frank who invited this reporter on Wednesday, Aug. 27, to see how his proteges fare in painting. 

He calls on everyone to join, especially seniors, if only to get out of their homes, to forget their worries, and make themselves busy by harnessing their inherent talents.


Such effort is naturally an inducement to enrich the dreary lives of seniors. It's a common practice among Filipinos, for example, that grandparents - the boomers essentially - revert to child rearing, only this time it's the offspring of their children.

With Frank providing the impetus for seniors to be creative and relive dreams they otherwise failed to pursue in their youth, the art program is already transforming not just lives, but also outlook beyond biological or chronological age.

There's the idiom that says "you're only as old as you feel" which means, according to the dictionary, that "your health is a bigger factor in what you are able to do than your actual age." Clearly, that's exactly how Frank's art program amounts to.

While Frank expounds on his ideas, an elderly man ambled in. He wanted to paint but didn't have the paraphernalia such as brush, paints, canvas, etc. to illustrate what he had in mind.

"So I provided him. He promised to replace whatever he used next time he came back for another session," Frank explains. Soon enough, from the blank canvas in front of him emerged images of carnations in solid red.

The scene at FCT that Wednesday afternoon was like being in a workshop where every aspiring painter is glued to the white canvas working on what would appear as a replica of Frank's Victoria Park Harbour painting.

Others in the room create their own masterpieces, relying mainly on what their minds tell the hands to portray in brush strokes and color combinations they understood from Frank.

For boomers just learning the ropes, the result is outstanding. Late bloomers they're all are, naturally creative and great painters in their own right. (Copyright 2025. All Rights Reserved).

Thursday, 21 August 2025

Key Changes in the Philippines Happened on August 21

Volume 7, Issue No. 10
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Thursday, August 21, 2025 

On August 21, first in 1971, and second in 1983, violence erupted in Manila involving the bombing of a political rally in Plaza Miranda, and the assassination of former Senator Benigno "Ninoy" Aquino at the airport. Twelve years apart, but the two events are forever etched in our minds because they spurred consequential changes in the homeland. Were they coincidental or ill-fated? 


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COINCIDENTAL OR ILL-FATED?
Bombing and Ninoy Aquino's Assassination
The Two Events Happened 12 Years Apart on Aug. 21 


By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel



“The important thing to know about an assassination or an attempted assassination is not who fired the shot, but who paid for the bullet.” ― Eric Ambler



TORONTO - A landmark event today, August 21, is written in contemporary history as the day former Senator Benigno "Ninoy" Aquino was assassinated at the Manila International Airport tarmac 42 years ago.

His death by an assassin's bullet changed the course of Philippine politics. It sparked a "people power" revolution that ended the strongman rule of Ferdinand Edralin Marcos, and catapulted his widow, Corazon "Cory" Aquino to the presidency.

I remember the day it happened like it was yesterday. I was at the airport to cover his arrival from Taipei as an assistant foreign correspondent for the Japanese daily Asahi Shimbun.

Eleven years prior to Aquino's death on Aug. 21, 1983, all media - print, radio, television - were closed down as Marcos placed the country under martial law on September 21, 1972. 

The newspaper I was working with, The Manila Chronicle, was shut down, and its building and its brand new printing equipment in Pasig were seized by the military. 

A short time later, it reopened as the central office of the Journal Group of Companies under a new owner, Ambassador Benjamin "Kokoy" Romualdez, the brother of first lady Imelda R. Marcos. 

(Incidentally, the current speaker of the Philippine House of Representatives, Ferdinand Martin Gomez Romualdez, is a son of Kokoy. Marcos' son and namesake, Ferdinand Romualdez Marcos, is the president of the Philippines. The two offspring are cousins.)

I joined the daily Asahi Shimbun, one of the oldest newspapers in Japan, after I lost my job at the Chronicle and stayed there for a while. That was my first experience writing for a foreign newspaper which had put up a Manila bureau headquartered in San Lorenzo Village, Makati.

The military had prevented local and foreign media entry into the airport on that day. So, what happened was we mingled with the opposition politicians like Senator Salvador "Doy" Laurel and Senator Eva Estrada Kalaw who were there to meet Ninoy.

Past the commotion and growing resentment among the foreign press hours later, word got around that Ninoy had been shot as he disembarked from the China Airlines plane. There was a mad scramble among reporters especially as everyone was in a rush to get the story out.

We hurried back to our office in San Lorenzo Village and there filed the report to the Asahi Shimbun head office in Tokyo. As there was no internet yet, we relied on satellite phone and teletype via the Associated Press.

I was among the first foreign correspondents to view Ninoy's bloody corpse, not embalmed and wearing the same clothes he had on when murdered the day before, as it lied in state at the Aquino's family home on Times St. in Quezon City and talked briefly with his grieving mother, Dona Aurora Aquino. Ninoy's wife and his entire family arrived a day later from the US.

It was not the first time I had seen such a gory sight. Twelve years earlier on the same date, August 21, 1971 to be exact, I was at the scene (as police reporter of the Chronicle) of the Liberal Party bombing in Plaza Miranda, Quiapo, Manila where nine people were killed and 95 others injured.

In stories after stories published here and elsewhere, I refer to that date as my baptism of fire and blood, literally. The violence in both instances  - I mean Aug. 21, 1983 and Aug. 21, 1971 - had been engraved in my mind to this day.

Having witnessed and experienced those ordeal at a young age had strengthened my resolve to stand up to threats and intimidation in pursuing a career in investigative journalism. At this juncture, I feel nothing could faze me.

A year after Aquino's assassination, I was offered a lucrative job to put up a Manila bureau of the Deutsche Presse Agentur, the German news agency, and be its chief correspondent. I chose a room in a building across the US Embassy in Ermita where the French news agency Agence France Presse operated. Its bureau chief, Teddy Benigno, later became Cory Aquino's press secretary.

In October 1984, I flew out of Manila to train at the main DPA editorial offices in Hamburg. As part of the learning process, I visited selected places in what's then West Germany. (Related story: Nostalgic About the Berlin Wall 30 Years After the Fall).

Ninoy Aquino's 1983 assassination was a turning point. And so was the 1971 Plaza Miranda bombing on this same day, August 21. Could that day of the month coincidental or ill-fated? (Copyright 2025. All Rights Reserved).

Saturday, 16 August 2025

Toronto Taxpayers Are Funding Taste of Manila

Volume 7, Issue No. 9 
 OPINION/COMMENTARY
 / News That Fears None, Views That Favor Nobody /

 . . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . .  

 Our latest as of Saturday, August 16, 2025
  
 ~ A whopping $34,000 of Toronto taxpayers' money has gone to the family-owned Taste of Manila (ToM) festival this year ostensibly to help in its expenses. The amount is nearly six times more than what the Mabuhay Philippines Festival received, which was $6,098, according to official sources. ToM has been secretive about its finances, but with the infusion of public funds, would it account for every dime it spends despite an alleged non-disclosure agreement that supposedly seals off the usually-talkative mouths of its organizers?

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 THE SECRETIVE FAMILY-OWNED BUSINESS 
 Taste of Manila Is Partly Funded by Taxpayers 
 $34K of Public Money Goes to Private Entity  

 By ROMEO P. MARQUEZ  Editor, The Filipino Web Channel 

 “Illusion is needed to disguise the emptiness within.” ― Arthur Erickson 

TORONTO - Reason escapes me why taxpayers' money should partly subsidize a family-owned business venture disguised as a community festival. 

There are cultural grounds, I understand, but when such a feast as Taste of Manila (ToM) transforms to a private entity, the motive changes from a neighbourhood outreach to a profit-seeking adventure. 

An example that easily comes to mind is the installation last year of a 13-foot high steel fence blocking establishments that refused to cough up grease money allegedly to help ToM. (Video at: ToM Organizers Install a Monument to Their Greed - a Steel Fence). 

ToM's forebear is questionable. Its birth is dubious despite claims by Rolly "kabise" Mangante that he founded it while he worked as a driver at the Philippine Consulate. 

I know how ToM came about. I know how Mangante enlisted the support of skeptical businesses that were suspicious of his motives given the nature of his work and the manner he carried himself and acted. 

The practical joke slapped by people who called him "amba" for ambassador and "congen" for consul general did not get on his nerves, rather, he happily embraced it and quite played the part by at least overdressing. Public appearances matter. 

How he and his "artists" at SPARC managed to wangle money - taxpayers' money - from the City of Toronto has not been explained, nor the grant announced. 

It is not unreasonable to assume that James Pasternak, the councillor representing the area of Little Manila, the epicentre of ToM festival, helped secure government funding. For years, he has been a lifeline for ToM. (Video at: Ramon Datol Defends Stolen Videos Now Being Used by Taste of Manila). Ramon Datol Defends Stolen Videos Now Being Used by Taste of Manila 

Obviously, time and circumstance have changed. In April 2022, Mangante declared that, in his words: "We don't have any funding from the government . . . The money is coming from our vendors, organizers . . . " How much money did ToM make from corporate sponsors and vendors?

By "organizers" he meant Cecille Araneta and Ramon "Mondee" Datol, the team that formed International Entertainment Company (IEC) which contracted with Mangante to hold and manage ToM for the next three years beginning in August 2022. 

One IEC event later, Araneta and Datol would be thrown under the bus. In came SPARC of smooth-talking Sani Baluyot and the four-dimensional troll Rose To aka Marites Tolits aka Rose Ami aka Rosemarie Ami-Seaborn. 

Datol decried what he called betrayal by Mangante, saying in Tagalog (loosely translated here in English): "There's no more friendships when it comes to money. And then you'd even smear us and stab us behind our back. Where's the respect?" (Video at the 4:17 mark: "Himutok" and "Hinagpis" Due to Betrayal by ToM's Rolly Mangante). 

This year's ToM seems to be swimming in cash, part of it coming from taxpayers. According to city officials, ToM has been awarded $34,000. Usually, the city said, such money is spent for safety, security and production expenses. 

But ToM is no longer a community festival that it purports to be. Mangante's family - him, his wife (the so-called first lady of ToM), and a daughter - now runs it through a maze of business interests like the Taste of Manila Foundation Inc. and a company denominated as 5012252 Ontario Inc. 

Were Mangante, Baluyot and Rose To aka Marites Tolits aka Rose Ami aka Rosemarie Ami-Seaborn truthful in portraying ToM as needing financial support when they applied and secured taxpayer dollars from the City? 

What role did Councillor Pasternak play in supporting ToM? Was he made aware of the financial situation of ToM, being one of its staunchest political backers? Why was Pasternak quiet about the "illegal" fence ToM had set up last year blocking several establishments that refused to "donate" money to ToM? (Related video: https://www.youtube.com/watch?v=hLl_ud3-Xew). 

To former MP Ya'ara Saks, "Everyone should benefit when a community festivalcomes in the area." Why then did the City extend financial benefits to ToM when it practices bullying and discrimination? (Copyright 2025. All Rights Reserved).

Monday, 11 August 2025

Hermie Garcia: Preaching the Truth But Acting the Lies


Volume 7, Issue No. 8

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of The Filipino Web Channel (TheFilipinoWebChannel@gmail. com) and the Philippine Village Voice (PhilVoiceNews@gmail.comfor the information and understanding of Filipinos and the diverse communities in North America . . . . 

Our latest as of Monday, August 11, 2025 

Years before the money scandal broke out, editors at a local tabloid professed their adherence to the truth. Fast forward to 2023, that so-called fidelity would crumble by their own doing. They were talking with a forked tongue; saying one thing and doing another. It's incredible how members of the local press association, which is actually a club for social climbers, got lectured on the truth by the person who supposedly despised telling lies, but who, in fact, did lie and deceive. 

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A NON-FICTITIOUS HERMIE GARCIA SPEAKS
A Forked Tongue Shows in How He Acts
He Says One Thing And Does Another 

By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“Truth is not afraid of scrutiny; only deception fears the light.” ― Aloo Denish Obiero


TORONTO - For want of something relaxing to do indoors this past weekend amidst the heat warnings, I decided to devote some time reading the published views of Hermie Garcia from what remains of The Philippine Reporter (TPR), the defunct fortnightly tabloid he co-edited with his wife Mila A. Garcia, which appears to have its last digital issue a year ago.

The paper's print edition shut down without notice in 2023 on the heels of revelations the Garcia couple had engaged in fraud victimizing two of its reporters - artist and journalist Michelle Chermaine Ramos and a writer based in Edmonton, Alberta who, except for being a member of Anakbayan, did not want to be identified in this story.

Ms. Ramos' exposé was a crushing blow to journalism integrity and to journalists whose allegiance is to the truth. As there's only a few uncompromising Filipino journalists in Toronto, the punch is not so much felt.

But the heavier blow is to the federal government, which allocates money for ethnic journalists not knowing it's being lied to, and its implementor in the local level, the National Ethnic Press and Media Council of Canada (NEPMCC), self-described as "Canada's other voices."

In a talk with members of the Philippine Press Club Ontario (PPCO) on December 8, 2016, Hermie Garcia asked how and what role the local media should have in the Filipino community. Well, he supplied an answer to how, thus: "By being faithful and loyal only to the truth." OMG, what an incredibly fine guy he was just by being candid!

He further expanded that, saying "the very purpose of journalism (which) is to expose the truth and shed light on problems that affect public interest." How true, and it's commendable he knew what he was talking about. (Related video: https://www.youtube.com/watch?v=i4vVh6sZsPc&t=95s).

So as not to cast doubt on where he stood at that time, Hermie Garcia explained more succinctly: "Our role is to inform the public with the truth and hold accountable those in power and in positions of power in business and other private interests. To educate the public on important issues of the day. And also to advance views on what is good for the public, by providing context for the issues that affect our daily lives."

Nice words. Quite inspiring to hear, especially for the mostly non-journalists inhabiting PPCO. But then, fast forward to 2023, and one doesn't hear anything either from him or from NEPMCC where he and his wife are officers.

Hermie Garcia and Mila A. Garcia were caught red-handed spinning a web of lies, exploiting the naïveté of Ms. Ramos and the Edmonton writer, and made their deception believable by inventing a fictional "grant guy" in Canadian Heritage who supposedly oversaw payments of their salaries.

The hoax went undetected for months until Ms. Ramos, unsure of when to get her salary for working as reporter for the government-funded Local Journalism Initiative (LJI), took it upon herself to investigate.

That's when the fraudulent activities of the Garcia couple unraveled. Their masks fell off and their dubious story came apart. (Full story: Lies, Deceptions by The Philippine Reporter Exposed).


Before LJI started, Canadian Heritage released its budget for LJI through NEPMCC a full year ahead, so there's no reason salaries were not being paid on time.

The LJI money had been in the possession of the Garcia couple but why were the two LJI reporters not compensated? What did they do with government funds intended for salaries?

These two basic questions remained unanswered for the last two years now. The NEPMCC and its top officials had nothing to say even as the wrongdoing by the Garcias was happening under their noses.

In another article posted on October 26, 2018, Hermie Garcia borrowed from the dictionary to reinforce his arguments against a competing tabloid. He wrote:

"How much idle speculation, foolish hunches or malicious innuendo can you inject in an article to prevent the reader from focusing on the claim (of the plaintiff) that the transfer of properties was 'fraudulent'? To use the same term he (the writer) used, this is subterfuge! The Merriam-Webster dictionary defines subterfuge as 'deception by artifice or stratagem in order to conceal, escape or evade.' Oxford Dictionaries define the term as 'deceit used in order to achieve one’s goal.' "

What a shock! The years between 2018 and 2023 might have caused him to forget that he and his wife had engaged in a charade they knowingly despised, that is, "deception by artifice or stratagem in order to conceal, escape or evade."

That's exactly what they did to their staff - Ms. Ramos and the Edmonton writer - and by extension, to the federal Canadian Heritage and NEPMCC. To borrow the words he had borrowed, they undertook "deceit used in order to achieve one’s goal."

On the occasion of World Press Freedom Day in May 2023 which I managed to cover at Toronto City Hall, NEPMCC president Thomas Saras cited the Garcia couple, stating that: "Hermie Garcia spent 12 years in jail under Marcos for criticizing the Marcos dictatorship and his wife Mila also for a number of years for criticizing the dictatorship of Marcos." (Full story: Hermie and Mila Garcia: Freedom Fighters or Traitors?).


Nothing could be farther from the truth. If Hermie Garcia and Mila A. Garcia honestly subscribed to what they espoused in their paper, they should have corrected Mr. Saras who appeared overzealous in recognizing them for what he said was "for criticizing the Marcos dictatorship."

Mr. Saras' statement was factually wrong. It is a false narrative. The Garcias were incarcerated for their subversive activities, not for writing critically against Marcos' one-man rule. I should know because I lived and worked as a foreign correspondent during those days.

Hermie Garcia himself confirmed this. He wrote in October 2018: " . . . myself and my wife were charged by the Marcos military with rebellion but nothing was proven in a court, whether civilian or military."

If truth be told, it was the late Ruben Cusipag (God bless his soul) who had fought the (Ferdinand Edralin) Marcos administration with his scathing attacks and stinging rebuke of the dictatorship beginning on September 21, 1972. His writings were more solid than "criticizing," which had earned the Garcias false acclaim by NEPMCC.

Is lying, creating fictitious narratives, exploiting unsuspecting victims, pretending to be conscientious writers second-nature to Hermie Garcia and Mila A. Garcia? 

The ready answer is in what they did to Ms. Ramos and the Edmonton writer. (Copyright 2025. All Rights Reserved).