Monday, 16 September 2024

Alleged Public Service Plus Entertainment Equals Money


Volume 6, Issue No. 10

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Monday, September 16, 2024 

~ The summer has kicked off a wide assortment of events, some funded in whole or in part by federal, provincial and municipal governments, to promote the heritage and culture of the different ethnic minorities. In the Filipino community, festivals are a dime a dozen, and are marketed, ostensibly, as a service to its people. But the truth is that they're driven by money and the potential to gain tons and tons of it. The Taste of Manila (ToM) festival is a standout in this regard. 


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

ENTERTAINMENT GALORE

Money, Not Service, Drives Local Events  
Summer Saw All Kinds of Community Happenings 



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel



“Two things destroy a weak man: money and status. After that he goes blind.” – from "Decadence and Downfall" 



TORONTO - At the beginning we're regaled with words sugared with plans to benefit the community and improve the well-being of those in dire need of help.

Many associations thrive on this ploy and wrap themselves in some form of government protection, for example, by registering as a non-profit, or as a charitable organization, or as a foundation.

Left unsaid, of course, is the driving force behind the purported civic-mindedness - money, and the potential to earn lots of it. 

"When people are driven by greed," says an essay on money, "they will do whatever it takes to acquire more money, even if it means stepping on others or engaging in unethical behavior."

Reading that excerpt reminds me of the recent Taste of Manila (ToM) festival and what it did to hapless storeowners who were physically isolated from their customers by a steel fence that ran from end to end of their storefronts.

That essay also leads me to other organizations that thrive on misleading the Filipino community with lofty projects, bountiful prizes, and other imaginative etceteras, which are at best theoretical. One fine example is the spectacle that happened in Brampton.

Seducing the public and prospective sponsors with high-impact proposals, for example, building a basketball court, or a sitting room for seniors, or an all-expenses-paid round trip to Mars, seems to be part of the strategy to win support.

A representative example that comes to mind is the plan - it sounds so fanciful - to build a community centre presented by a nascent Taste of Manila in July 2014 through its alleged founder, Rolly "kabise" Mangante.

It's to his credit that Mangante, a former driver at the Philippine Consulate, could dream big, could get public approval, could recruit believers, could enlist politicians, could transform fantasy to reality to what we know as Taste of Manila (ToM) festival.

Heck, he's got the balls, man. His Canadian dream is a dream come true, especially with ToM recovering from its dire straits in 2018 to becoming a cash cow today. 

Not only that, he has risen from a life of obscurity behind the wheel to unforeseen prominence. He's now "Tito Rolly" to politicians. Isn't that remarkable?

Well, being "Tito Rolly" to all could bloat one's ego. Feeling powerful because of ToM, he could command obedience. Unethical, illegal, or whatnot, he demands compliance.

(Related story: 

That's what happened to my footage of several ToM events. He had the gumption to steal videos and photos to suit his agenda, promote his wife, friends, and partners. And his underlings simply follow.

(Related story: 

Related videos:

For someone and something still aborning, it's easy to understand. The concept of ToM was being peddled by Mangante who delighted in being mistaken for a consul, which was never true, and teased as "amba" for ambassador, which, for heaven's sake, would never ever happen or the Philippine foreign service would have gone to the dogs.

The wisecrack only multiplied his appetite for recognition. And ToM was his validation. Unwittingly, my videos at The Filipino Web Channel gave evidence to his claim. He admits using them to promote ToM as far as Manila. 

(See video https://www.youtube.com/watch?v=gcs34cnA2bs at the 1:06 mark).

Ten years in the making and counting, the community centre Mangante had declared would be ToM's offering to the Filipino community appears to have been forgotten even as ToM continues to reap windfall after windfall staging the festival.

If reports are to be believed, ToM netted handsomely for both Mangante and his chosen managers, the con artists, oops, sorry, I mean the Society of Philippine Artists, Recreation and Community (SPARC).

I take Mangante's words in Tagalog: "Eto at makikita naman natin na ito'y transparent. Wala po tayong tinatago at nakalantad po yan." (Roughly in English: You can see we're transparent. We have nothing to hide." Watch video The Unredeemed Promise of Taste of Manila; Is the Money Gone? at the 0:32 mark).


Transparent? Yeah right. Indeed there's no indication any ToM official reacted to a complaint on why ToM erected a fence to impede human traffic at the site of five establishments on Bathurst St. during the Aug. 17-18 festival.

I interviewed some vendors in Little Manila for this story who told me that Mangante put the blame on unnamed SPARC officials for installing the steel fence. Lawyer friends said the construct was illegal for many reasons.

It seems Mangante is deflecting. In 2023, vendors complained to me that he had threatened to block their store fronts if they did not comply with his demand for a "donation." 

The vendors deemed it was an "extortion," a flat-out shakedown. Why would they donate to ToM when they need not have booths because their stores are right where the festival takes place?

"Money can make people pretty evil," says one of the survivors in this movie series on Netflix entitled Outlast. The statement invigorated me to write this article.

The Socratic Method is even more profound: "Some view money as a means of security and comfort, whereas others perceive it as a source of power, status, or even self-worth." (Copyright 2024. All Rights Reserved).

Monday, 9 September 2024

Maestro Romi C. MananQuil's Homage to Life

Volume 6, Issue No. 9

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Monday, September 9, 2024 

~ The Filipino community is fortunate to have a master in arts in the person of Maestro Romi C. MananQuil who, for 14 years, led the Philippine Artists Group of Canada as president. This month, the maestro is celebrating his "more than half a century of passion and creativity" with a show at Neilson Park Creative Centre in Etobicoke. The show runs until September 22. Gazing at his paintings transposes to an era of simplicity, selflessness, and hard work. More importantly, they reinforce love of country.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 


ARTIST ROMI C. MANANQUIL

The Maestro In Our Midst   
Toronto Is Home to Eminent Filipino Artists 



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


“The aim of art is to represent not the outward appearance of things, but their inward significance.” – Aristotle


TORONTO - Unexceptional is the right word to describe what I know of the arts. Bluntly put, I am neither connoisseur nor art critic, but I do have a healthy appreciation for paintings, sculptures, and music. My amateurish opinion is largely based on personal perception.

The little that I learned 
from two semesters of a humanities subject in college in the Philippines many years ago has been my guiding light in viewing the works by the great artists like Leonardo da Vinci, Pablo Picasso, Vincent van Gogh, Michelangelo, Rembrandt; our very own Juan Luna, Fernando Amorsolo, Botong Francisco, Vicente Manansala, Hernando Ocampo, among many others.

I've encountered them all, not personally, of course, but through their paintings. I've seen Luna's Spoliarium in the National Museum and The Blood Compact in Malacanang Palace in the course of my previous work as a foreign correspondent.

I absolutely agree with Filipino historian Ambeth Ocampo who wrote in 2000, and I quote: "The fact remains that when Luna and Felix Resurrección Hidalgo won the top awards in the Madrid Exposition of 1884, they proved to the world that indios (Filipinos) could, despite their supposed barbarian race, paint better than the Spaniards who colonized them."

(Related story: https://filwebchannelmagazine.blogspot.com/2023/06/pags-art-exhibit-celebration-of.html)

It rings true in Toronto. One need not look beyond our community. Here, a slew of distinguished artists topped no less by a master, Maestro Romi C. MananQuil, lives and leads a creative life putting stunning images on canvas and other media.

It would seem superfluous for him to talk about himself; the paintings he has done in the last six decades speak for him as a patriot, a loving husband, father, grandfather, neighbour, friend, colleague, mentor.


We may have resided in different parts of the homeland prior to settling in Canada, but Maestro MananQuil has captured an important period in one's life journey without having to be by his side.

I refer to at least 10 of his paintings - immortalized on canvas - exhibited currently at Neilson Park Creative Centre and during a recent show by the Philippine Artists Group of Canada which he headed as president for 14 years. 


What's so striking is his rendering of the most consequential chapter in the Filipinos' bloody march to freedom, fought courageously to the death against a foreign power that had colonized the country for over three hundred years. 


Maestro MananQuil's "Himagsik," "Kalayaan," "Dr. Jose P. Rizal," "Pagtatanim," and "Lakeshore Morning" are visual images of a revolutionary and arduous past, and a seeming comfortable life in a new home in Toronto. 

"Himagsik" and "Kalayaan" call to memory my two grandfathers, both members of the Katipunan, who had fought in Cavite province with General Emilio Aguinaldo in the revolution against Spain. They both survived but only one saw through the 1898 declaration of Philippine independence in Kawit.

Pleasant memories are rekindled, for me personally, by Maestro MananQuil's "Pagtatanim ng Palay" and "Sampung Kahig, Isang Tuka" which bring to life the years visiting my paternal grandparents in Naic, Cavite.


Travelling for hours by bus from Pasay City where the family had moved, to the old hometown, the highway scenery was a sight to absorb - large tracts of land in green and gold amidst moving shadows of farmers either planting or harvesting rice. They're gone now, replaced by mushrooming subdivisions and fancy homes.

Under their bamboo hut close to the shorelines of Manila Bay overlooking Corregidor island, my grandparents domesticated hens and other poultry, assuring them a supply of meat and eggs. Looking at "Sampung Kahig, Isang Tuka" makes me wonder how Maestro MananQuil acquired that singular essence of rural life.

Three of his paintings - "Jolens," "Kanyong Kawayan," and "Bisperas" - happily transpose me to an era of youthful abandon, undiluted innocence, and genuine brotherhood.


"Jolens" is a marble game, so-called for what's probably is its English equivalent - "hole-in". For lack of a playground, the streetwise dudes that my buddies and I were, played it in alleys or in some neighbour's backyard. 

(To give an idea of how and what "jolens" is, I found this video on YouTube: "MARBLE GAME" in the Philippines" (Larong Pinoy / Traditional Filipino Game / Laro ng Lahi)

"Kanyong Kawayan" is an old-fashioned bamboo cannon traditionally used in many areas in the Philippines to welcome the new year with a bang. I grew up with the practice and was the one person, to my dismay, assigned to light it up.

(Here's what Filipiknow website says: "To make the bamboo cannon explode, it is propped up against a stone. Kalburo or wet calcium carbide is fed into the bamboo, until the kalburo reaches the base. Ordinary kerosene is sometimes used. A stick is then lit from a kerosene lamp and then applied on the hole, creating a booming sound. Periodically, one has to blow into the hole to free it from ashes)."

The maestro and his grandson Justin also happen to like "Kanyong Kawayan," which is also my favorite. (Video at the 2:50 mark https://www.youtube.com/watch?v=OZQaTOSmoU0).

Maestro MananQuil's "Bisperas" (Christmas Eve) depicts a tienda near a church while a young lady cooks bibingka and steams puto bumbong. This is exactly how it looked then. Through the years, the sight continues to remind me of a custom widely observed in our neighbourhood weeks before Christmas and up to days after the New Year.

His "Ligaw Tingin" and "Pa-Charming" are, for me, a vivid record of adolescent history. These paintings acknowledge Filipinos' inherent shyness even as both man and woman flirt with each other. 


I remember those days when one felt having a crush on a lady but was too timid to approach or say anything, thus 
ligaw tingin, or roughly in English, courting at a distance by eyeballing her.

And if the lady knew he had eyes on her, she would pretend not to notice, feigning to be incognizant, or to put in Maestro MananQuil's words, "pa-charming" or in contemporary lingo, pakipot (coy).

In my neighbourhood, a friend was so enamoured with a store attendant through his constant "ligaw tingin." He soon realized his effort was not working. So he mustered the courage to tell her of his intention. For some time, she was "pa-charming," only to surrender her charms. Months later they were married and lived happily ever after.

I love these paintings if only for the fact that they're testimonials to a simple and blissful life, long gone but still occupy a special place in my heart, thanks to Maestro MananQuil.

His creativity translated into paintings through his adroit grasp of the brush is surely the reason he is a maestro - The Maestro actually - in the Filipino community in Greater Toronto Area, or perhaps in Canada. (Copyright 2024. All Rights Reserved).

Thursday, 5 September 2024

Novel by Filipino Writer Shortlisted for 2024 Book Awards

Volume 6, Issue No. 8

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Thursday, September 5, 2024 

~ The novel "Reuniting with Strangers" by Filipino writer and journalist Jennilee Austria-Bonifacio is among five books shortlisted by the City of Toronto and Toronto Public Library for the 2024 Toronto Book Awards. 


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 


REUNITING WITH STRANGERS

 Jennilee Austria-Bonifacio's Novel 
Shortlisted for 2024 Toronto Book Awards 


By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


TORONTO - Jennilee Austria-Bonifacio's Reuniting with Strangers is among five books shortlisted for the 2024 Toronto Book Awards, the City of Toronto and Toronto Public Library (TPL) announced today, Sept. 5.

Established by Toronto City Council in 1974, the awards honour books of literary merit that are inspired by Toronto and offer $15,000 in total prize money, with $10,000 to the winner and $1,000 to each shortlisted finalist, according to TPL.

A total of 116 submissions that reflected the creativity and diversity of the city’s literary community has been received this year by the Toronto Book Awards.

Jennilee Austria-Bonifacio is a writer, speaker, researcher, journalist, settlement worker, youth mentor, Little Manila tour guide, communications coordinator, and founder of Filipino Talks.



She has a BA in International Studies from Trent University and an MA in Immigration and Settlement Studies from Toronto Metropolitan University, and a post-graduate certificate from the Humber School for Writers. She completed a 2019 Emerging Writers Intensive program at the Banff Centre for Arts and Creativity."

TPL said the titles selected for the 2024 shortlist are:

- Reuniting with Strangers by Jennilee Austria-Bonifacio (Douglas & Mcintyre)

- The Roosting Box by Kristen Den Hartog (Goose Lane)

- The Rasmussen Papers by Connie Gault (Thistledown Press)

- The Suicide Magnet by Paul McLaughlin (Dundurn)

- I'm So Glad We Had This Time Together by Maurice Vellekoop (Random House Canada)

TPL's press statement:

Torontonians are invited to celebrate the Toronto Book Awards at the following events: 

Word on the Street 
Date: Saturday, September 28 
Time: 11 a.m. to 5 p.m.
Location: Queens Park Crescent East

Toronto Arts & Letters Club 
Date: Tuesday, October 7 
Time: 6:30 to 9 p.m.
Location: 14 Elm St. 

Toronto Book Awards Celebrates Scarborough 
Date: Wednesday, October 16 
Time: 6 to 8:30 p.m. 
Location: Scarborough Civic Centre, Toronto Public Library, 156 Borough Dr.

Toronto Book Awards Ceremony 
Date: Thursday, November 7 
Time: 6 to 8:30 p.m.
Location: Toronto Reference Library, 789 Yonge St.

Tickets to the Toronto Book Awards Ceremony, hosted by comedian, author and host of Canada Reads, Ali Hassan, can be reserved online at https://www.eventbrite.ca/e/2024-toronto-book-awards-50th-anniversary-edition-prize-ceremony-tickets-1003755588987?aff=City

More information about Toronto Book Award events can be found online at https://www.toronto.ca/city-government/awards-tributes/awards/toronto-book-awards (Copyright 2024. All Rights Reserved).