Tuesday, 5 September 2023

Did the Rare Book Library Make a Mistake in Archiving TPR?

Volume 5, Issue No. 9
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .

Our latest as of Tuesday, September 5, 2023 

~ An editor of a local supermarket tabloid boasts of her periodical as "the only ethnic community newspaper in Canada" to deserve a space in the archival collection of the Thomas Fisher Rare Book Library at the University of Toronto campus in downtown. Librarians supposedly said the fortnightly "reflects the life and times of Filipino-Canadians" - a claim that's arguably inaccurate. Here's why. 

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THE PHILIPPINE REPORTER GLOATS

Tall Tales About Filipinos Go to Archival Collection

Does TPR Reflect Life & Times in Toronto?



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


"Evil is nourished and grows by concealment". - Virgil 



TORONTO - The community's left-leaning supermarket tabloid, The Philippine Reporter (TPR), revels in what appears as an affirmation by a mainstream entity of a disputable claim that it's the chronicler of "the life and times of Filipinos in Canada".

The fortnightly has made it to the archival collection of the Thomas Fisher Rare Book Library, a collaborating feat no other Filipino periodical has attained, bar none. The Library not only provides storage, but it affords access to future generations to look back through TPR's reporting.

That's where the significance of the collection lies, by allocating a window, essentially, to glimpse a bygone era. And that's also where the problem begins for those stepping back in time.

Would tomorrow's generation get an honest and accurate account of what had transpired in the Filipino community, say 20 or 40 years hence?

Content matters, and if this was the gauge for TPR's inclusion, then it's also an indirect rebuke of the state of Filipino community newspapering in the Greater Toronto Area.

Years prior to the coronavirus pandemic, a dozen tabloids competed for readership and advertising support in the GTA. That number has significantly dwindled to no more than five today.

But it's not the quantity that counted, rather it's the substance carried by each of the paper that found little relevance in everyday life. 

Having a dozen tabloids did not mean multiple and exhaustive interpretation of the news, for practically all of them had the same theme - photos and self-serving press releases, extravagant parties, social climbing events, picnics, beauty pageants, fundraisings, etc.

On the other hand, TPR then and now stands out as the ostensible propaganda arm of leftist elements in the GTA, highlighting the usual condemnation of government by both underground and aboveground sympathizers. 

The danger for future readers lurks here. Archiving TPR narrows and limits the broader view of the Filipino diaspora to leftist ideologues. That is because TPR is not a truthful, honest, and objective repository of the facts relating to the situation and circumstances of Filipinos.

I've just seen a copy of TPR's Aug. 11-24, 2023 issue where on page 11 appears an article by Mila Astorga-Garcia and an accompanying picture of a turnover of copies to the library's David Fernandez.

"The Philippine Reporter," writes the wife of the paper's editor Hermie Garcia, "up to now remains the only ethnic community newspaper in Canada with its print collection (except some missing issues) - from its first issue published in 1989 to the latest issue - archived and catalogued by the prestigious Library for public use".

I have no quarrel with the archival process, knowing fully well its importance to future generations. I do archive my work myself . . . the reams upon reams of articles written from way back in California in the mid-90s, and the contemporaneous photos and videos stored digitally and in the cloud.

But I do have a concern as a journalist reporting on and about the Filipino community in Canada, basically the same community which TPR also covers, supposedly.

"As Librarians describe it," according Mila Astorga-Garcia's account, the (TPR) "collection reflects the life and times of Filipino-Canadians and the issues, struggles and triumphs of Filipinos . . . in the Canadian diaspora".

I suppose I could raise that issue with the TFRB Library and the unidentified librarians who purportedly said it. Why? Because it's hardly accurate. Not quite accurate. Not really accurate.

The TFRB Library may not have been fully informed. Apparently, it relied on the say-so of a Philippine-born, California-raised academic, Roland Sintos Coloma, who, according to his LinkedIn profile, was associate professor at University of Toronto from 2008 to 2014. 

TPR does not mirror the entire Filipino community. Its contents are tailored to a specific audience - the so-called discontented and marginalized few who for one reason or another want to effect a radical change in the democratic system of government in the Philippines.

In my view, TPR echoes the party line of the outlawed Communist Party of the Philippines, the movement founded by the recently-deceased Jose Ma. Sison, which the Philippine government, the United States, and the European Union have classified as a "terrorist organization". (Related video: https://www.youtube.com/watch?v=IbNvmygbKzY).


If the TFRB Library would only closely examine instead of pandering, it would understand why the journalist in me is calling its attention.

For example, take any five issues of TPR, review their contents, and the TFRB Library would perhaps be shocked to find the supposedly inexhaustible energy of Filipinos to fight a protracted war against the duly-established government in Manila.

There's no endless war in the Filipino community in Canada and in the Philippines. But reading TPR might, or perhaps would, lead one to believe it exists.

That's because TPR has been consistently portraying here that a socio-economic and political unrest, fueled by militant labor and student demonstrations, is the prevailing pastime in the homeland. 

The class struggle which necessitates the overthrow of the Philippine government advocated by Sison, the CPP, and its armed wing, the New People's Army, is constantly reechoed on the pages of TPR.

In that context, TPR does not truthfully reflect the actual reality in the community. What it does is to give a platform for a subsector of the community to vent their advocacies and beliefs that correspond with Sison's.

Not being candid with its coverage is just one reason to distrust TPR. A few months ago, two of its writers - a staff member and an intern - were victimized by the lies and deceit of its editors, namely Hermie Garcia and wife Mila Astorga-Garcia.

Michelle Ramos, the journalist who resigned her staff position at TPR, had complained to the National Ethnic Press and Media Council (NEPMCC) and the Department of Canadian Heritage after her salary as a reporter for the Local Journalism Initiative (LJI) had been delayed for months. (Background: https://www.canada.ca/en/canadian-heritage/services/funding/local-journalism-initiative.html).

NEPMCC administers LJI on behalf of Canadian Heritage which provides funding (meaning taxpayers' money), and chooses which media outlet to enroll, in this case the Garcias' The Philippine Reporter where Ms. Ramos was a staff writer until she quit. (Related video: https://www.youtube.com/watch?v=g8FT2kEZfls).

Her inquiries led to surprising discoveries: one, the entire budget for LJI reporters had been released to TPR in lump sum, so there's no reason for delays; two, NEPMCC denied the existence of a "grants guy" that Hermie Garcia had fabricated and blamed for delayed salary payments; three, Hermie Garcia had been caught lying and his deception exposed; fourth, the NEPMCC could be enabling Hermie Garcia's wrongdoings by maintaining its stoic silence on the issue. The Garcias are friends with NEPMCC president Thomas Saras. They are also officers of the organization.

One of the things that Ms. Ramos uncovered was the sudden disappearance of an intern from TPR's list of reporters. It turned out she also quit after suffering the same fate Ms. Ramos had experienced - the unreasonable withholding of her salary for months.

Canadian Heritage, the NEPMCC, and the Garcias have not commented on Ms. Ramos' well-documented allegations from the time they were published in June. (Full story: https://filwebchannelmagazine.blogspot.com/2023/06/lies-deceptions-by-philippine-reporter.html).

"Had they not lied and deceived us again and again, the long delays in paying our salaries would not have been a big issue," Ms. Ramos told this reporter earlier. (Related story: https://filwebchannelmagazine.blogspot.com/2023/06/reputation-of-ethnic-media-takes-hit-in.html).

Even as she was inclined to be more forgiving, her personal principles would not be compromised. She's resolute in finding out the truth, and when that truth surfaced, it was hard to believe, harder even to accept, as she had put her trust and confidence in the couple she considered friends and mentors.

Now, I ask the Thomas Fisher Rare Book Library: If indeed TPR "reflects the life and times of Filipino-Canadians and the issues, struggles and triumphs of Filipinos . . . in the Canadian diaspora" how come the Garcias do not report what they did to Ms. Ramos and the intern? Where's the transparency and their supposed adherence to the truth? (Copyright 2023. All Rights Reserved).

Wednesday, 30 August 2023

Taste of Manila Fest Takes Giant Leap, Say Organizers

Volume 5, Issue No. 8

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Wednesday, August 30, 2023 

~ A notorious social media poster has claimed without proof that the recent Taste of Manila festival had amassed over half-a-million attendees in such a relatively small place as Little Manila. It sounds like a typical hype by an organization seeking legitimacy as an events organizer to boost its standing among potential sponsors, vendors, politicians, and supporters. If the claim is true, which is doubtful, it's a giant leap by the moribund street fest that had been or still mired in legal controversy. 

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TASTE OF MANILA 2023

Was the Number of Attendees Hyperbolic?

Is It 'Record-Breaking' or Record-Padding?



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel



"Exaggeration is a blood relation to falsehood and nearly as blamable". - Hosea Ballou 


TORONTO - Five hundred thousand, fifty thousand, five thousand. (Video: https://www.youtube.com/watch?v=RNhAaEbyiJI).

Organizers of the recent Taste of Manila (ToM) festival picked the first figure (500,000 or 500K or half-a million) as the estimated number of people who trekked to Little Manila for the Aug. 19-20 event.

To make sure I'm not the only one disbelieving that claim posted on social media by a human troll named Marites Tolits (who in real life is Rose Ami aka Rosemarie Ami-Seaborn), I watched some videos of the event taken by people who were also there.

Perhaps the closest to the number is in this video by Zam's TV which walked the distance along Bathurst St. from Invermay Ave. to Wilson Ave.: https://www.youtube.com/watch?v=J8fcr9N8cZs

A YouTube poster named Ang Probinsyana Sa America. had her video (at: https://www.youtube.com/watch?v=Bk-61dQ983w) which basically complements mine. 

I mean it's not showing anything to demonstrate people converging in the hundreds of thousands. Just take a look at this: https://www.youtube.com/watch?v=Eg_cmjrUkN8.

Another video by Toronto Life As It Is matches other videos showing people much less than what is claimed and posted on social media: https://www.youtube.com/watch?v=v-unXtCbaNE

According to Sani Baluyot of SPARC (Society of Philippine Artists, Recreation and Community) "police on duty unoffcially (sic) estimated the crowd to be at more than 500K running total which is higher than the past years' number of attendees on all Filipino festivals across North America". 

Absent an official authoritative source, I'd say the number is a bit of a stretch. Being an upstart trying to make a mark, SPARC is prone to exaggerate, as did Marites Tolits who is as unreliable as most officials in ToM with a forked tongue.

Sought for comment, the official arbiter of this claim, the Toronto Police Service, did not respond to questions as of this writing.

I've covered every ToM since 2014 - in fact, I helped it grow - until the coronavirus pandemic forced it into hibernation in 2020. The last in-person staging in 2019 had attracted a sizable crowd officially estimated at between 350,000 to 400,000.

It was revived virtually by a team led by its alleged founder, Rolly Mangante, a former driver of the Philippine consulate who, for lack of resources, stole film footage and photos from The Filipino Web Channel, manipulated them, and spliced them with images of his wife Nieves Mangante and their friends. (Video at: https://www.youtube.com/watch?v=_398v7dDQhQ)


Baluyot's statement may be a biased assessment to elevate a fledgling not-for-profit org like SPARC and the people behind it as legitimate events organizers even as ToM itself and its purported founder have not addressed allegations of fraud and thievery.

The number as claimed is staggering. It's a big leap. A multitude of revelers such as the alleged half-a-million people would put a strain on logistics, city services such as garbage collection, security by police and private guards, transport, vendors and the like.

Based on experience, it would be quite difficult to walk the length of Bathurst from Wilson Ave. to Invermay Ave. and take videos when one's in the midst of hundreds of thousands of people without bumping into others or breathing down their necks.

There may be some truth to assertions by Baluyot who says, and I quote him: "I personally had chats with vendors on both days and informed me that they are happy with the turnout. There are times they sold out of food to sell and needed to add more inventory". 

But he wouldn't say how he came to that conclusion, explaining that "no amount of total sales had been discussed".

One thing he may have unwittingly confirmed was the practice by top officials of ToM to line up their pockets by squeezing unlisted vendors between legitimately-paying booths. That kind of under-the-table deal has caused altercation between and among vendors and ToM.

"No insertion from any group happened," Baluyot says when asked this question: "How many officially-paying vendors (as distinguished from "under-the-table" vendors usually inserted by Rolly Mangante in between booths and whose payments go to his pocket) were there from end to end of Bathurst from Wilson Ave. to Invermay?"

Baluyot did not respond to other questions, notably about money, or how it would be split among International Entertainment Company, SPARC and Mangante, and SPARC's current financial standing post-ToM.

He states: "SPARC is not in any position to answer any queries not related to TOM2023 implementation. with regards to the MOU that SPARC and IEC signed, that will remain confidential guided by our respective legal teams.

"I hope that I have answered your questions and no further comments after this," he concludes. (Copyright 2023. All Rights Reserved).

Friday, 18 August 2023

SPARC Dumps IEC in Staging ToM Festival


Volume 5, Issue No. 7
OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Friday, August 18, 2023 

~ Two organizations hustled by a former driver are in "a collaboration" to stage what amounts to a dog and pony show in Toronto's Little Manila hub. The trio stands to reap tons of money in their venture, perhaps not so much to the benefit of the community.

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TALES OF TASTE OF MANILA

Little Manila's Dog and Pony Show

One Org Dumps the Other, Is That Collaboration



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel


"It's easy to make a buck. It's a lot tougher to make a difference". - Tom Brokaw 


TORONTO - My eyes and ears in Facebook who's doing some sleuthing for me as I don't have an account there has sent a screen shot of what appears to be the latest update by the troll Marites Tolits aka Rose Ami aka Rosemarie Ami-Seaborn.

In her post, she writes: "This event (referring to Taste of Manila or ToM) is organized by SPARC Canada - Society of Philippine Artists, Recreation and Community . . . " 

She repeated that line at least twice, obviously shutting down the other party to a settlement, Cecille Araneta's International Entertainment Company (IEC), which previously held a three-year contract to stage ToM starting last year.

Though Ami's Facebook postings should be treated with a grain of salt (some of them are outright lies, probably the reason she hides behind Marites Tolits), her assertion that ToM "is organized by SPARC" flies in the face of a reported agreement with IEC to co-manage ToM.

She dumps IEC like a rotten "main dish" one overzealous bakery owner had described a competing festival. Meanwhile, Araneta and her team don't lift a finger, apparently content at being relegated to a secondary if not insignificant role. 


I am not a fan of either SPARC or IEC or their associates or the self-proclaimed founder of ToM, Rolly Mangante alias kabise, who had the audacity to steal the ToM idea from the Philippine consulate where he had worked as a driver.

His teammates in IEC (before they parted ways) pointed to him and the fake "international reporter" Danasol Luna as responsible for filching video footages of ToM from The Filipino Web Channel and manipulated and spliced them with photos of his wife Nieves Mangante and Cecille Araneta, among others. (Video at: https://www.youtube.com/watch?v=_398v7dDQhQ).

Because of greed or whatever, Mangante had caused the rift between IEC and newcomer SPARC. He apparently rescinded his contract with IEC and signed SPARC up to mount ToM starting this year, thus triggering a three-way lawsuit.

Mangante, according to informants, had been shopping for an individual or organization to be his ToM licensee even if he had IEC already. 

He had approached four - a bakery, a restaurant, a real estate firm and a hastily-formed org that turned up to be SPARC. The first three declined owing to the substantial cash Mangante wanted. SPARC agreed to put up with it, informants said.

The legal entanglements were apparently settled among themselves, with IEC agreeing to take in a percentage of the profits to be realized from ToM as a co-organizer.

My sources said IEC, facing mounting financial problems, did not pursue its case aggressively as it should have since it has in its possession a valid three-year contract to stage ToM.

The prospect of not seeing ToM loomed large. Unless the legal problems were resolved, city authorities were not inclined to grant any permit, according to knowledgeable sources.

That was the key point. None of the parties would like to see a potential windfall slipping from their hands. Money, huge amounts of money, are in the offing.

And so it came to pass that a settlement - "a collaboration between SPARC and IEC" as described by SPARC's Sani Baluyot - was entered into. (Full story: https://filwebchannelmagazine.blogspot.com/2023/07/organizers-smooth-things-out-for-taste.html).

The big winner in this case is Mangante who stands to reap the fruits of his stolen cash cow. His past and present enablers will also gain their share.

What benefit will the community derive from their venture? Nothing, if I may answer my own question. We'll be lulled again by what essentially is a dog and pony show in Little Manila. (Copyright 2023. All Rights Reserved).

Tuesday, 15 August 2023

Grand Jury in Georgia Indicts Donald Trump, 18 Others

Volume 5, Issue No. 6

OPINION/COMMENTARY
/ News That Fears None, Views That Favor Nobody /

. . . . . A community service of Romar Media Canada, The Filipino Web Channel (TheFilipinoWebChannel@gmail.com) and the Philippine Village Voice (PhilVoiceNews@gmail.com) for the information and understanding of Filipinos and the diverse communities in North America . . . . . .
 
Our latest as of Tuesday, August 15, 2023 

~ No other U.S. president is being held to account for a variety of criminal wrongdoings than the celebrity-turned-politician Donald J. Trump, "fortunately or unfortunately" the 45th president of the world's most powerful country. Over two years of investigation by Fulton County (Georgia) District Attorney Fani Willis culminated Monday (Aug. 14) in the indictment of Trump - his fourth - and 18 of his associates for attempting to overturn the 2020 election in the state that now-President Joe Biden won. 

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IN FULTON COUNTY, GEORGIA
Donald Trump Is Indicted a Fourth Time

He's Also Charged in New York, Florida, Washington DC



By ROMEO P. MARQUEZ 
Editor, The Filipino Web Channel



TORONTO - Today, we bear witness to the unfolding of history in the United States - the criminal indictment of the 45th president, Donald J. Trump, in the State of Georgia over his attempts to overturn the 2020 election in the state that Joe Biden won.

It was the first in U.S. history that a former president is being criminally charged, for a fourth time at that! He's also held to account for acts committed in New York State, Florida, and Washington DC. (Related video: https://www.youtube.com/watch?v=i4QcHs7GX2A&t=16s).

Eighteen others were indicted by a Grand Jury in a criminal conspiracy outlining 161 criminal acts, including Rudy Giuliani, his former lawyer; John Eastman, a conservative lawyer; and Mark Meadows, former White House chief of staff. Of those acts, Trump accounted for 13 counts.

His co-defendants include Jeffrey Clark, a former Justice Department official; conservative lawyers Sidney Powell, and Jenna Ellis; Kenneth John Chesebro, Ray Stallings Smith III, Robert David Cheeley, Michael A. Roman, David James Shafer, Shawn Micah Tresher Still, Stephen Cliffgard Lee, Harrison William Prescott Floyd, Trevian C. Kutti, Cathleen Alston Latham, Scott Graham Hall, and Misty Hampton.


The group, according to the indictment released late Monday (August 14) night in Fulton County, Georgia, is "a criminal organization whose members and associates engaged in various related criminal activities including, but not limited to, false statements and writings, impersonating a public officer, forgery, filing false documents, influencing witnesses, computer theft, computer trespass, computer invasion of privacy, conspiracy to defraud the state, acts involving theft, and perjury."

The indictment charges Trump with the following felony counts: Violating Georgia's Racketeer Influenced and Corrupt Organizations (RICO) Act; Three counts of solicitation of violation of oath by public officer; Conspiracy to commit impersonating a public officer; Conspiracy to commit forgery in the first degree; Conspiracy to commit false statements and writings; Two counts of conspiracy to commit filing false documents; Conspiracy to commit forgery in the first degree; and Two counts of false statements and writings; and filing false documents. 

Fani Willis, the District Attorney of Fulton County, said all the defendants are presumed innocent until proven otherwise. 

As in three other felony cases against him in New York State, Florida, and Washington DC, Trump has denied any wrongdoing.

Shortly after the indictment was announced, Trump attacked Willis in his social media account as "an out of control and very corrupt District Attorney".

Willis said arrest warrants have been issued for all the defendants who were given up to 12 noon of August 25 to surrender. (Copyright 2023. All Rights Reserved).